{"id":2127,"date":"2022-10-22T14:11:51","date_gmt":"2022-10-22T12:11:51","guid":{"rendered":"https:\/\/psihodrama.lv\/?p=2127"},"modified":"2022-10-22T14:11:51","modified_gmt":"2022-10-22T12:11:51","slug":"terminu-vardnica","status":"publish","type":"post","link":"https:\/\/psihodrama.lv\/lv\/terminu-vardnica\/","title":{"rendered":"Terminu v\u0101rdn\u012bca"},"content":{"rendered":"\t\t
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Alfab\u0113tisk\u0101 sec\u012bb\u0101 sak\u0101rtoti termini, kurus izmanto psihodr\u0101m\u0101, sociometreij\u0101 un grupu psihoterapij\u0101.<\/p>

AKSIODR\u0100MA\u00a0<\/strong>– psihodr\u0101mas veids, kur\u0101 uzman\u012bba ir piev\u0113rsta soci\u0101li \u0113tisku v\u0113rt\u012bbu izp\u0113tei. J.L.Moreno rad\u012bja Aksiodr\u0101mu darbam ar Kult\u016bras konserviem.\u00a0<\/em>Aksiodr\u0101mas m\u0113r\u0137is – \u013caut cilv\u0113kam par\u0101d\u012bt savu patieso Es, nesl\u0113pjoties aiz mask\u0101m vai k\u0101das lomas. Aksiodr\u0101ma ir pirmais posms Sociodr\u0101mas<\/em> un Psihodr\u0101mas<\/em> att\u012bst\u012bb\u0101.<\/p>

DARB\u012aBA vai DRAMATISK\u0100 DARB\u012aBA, IZSP\u0112L\u0112\u0160ANA (Action vai Enactment).<\/strong> T\u0101 psihodr\u0101mas sesijas da\u013ca, kur\u0101 p\u0113c apsprie\u0161anas k\u0101da situ\u0101cija vai konflikts tiek izp\u0113t\u012bta uz skatuves vai k\u0101d\u0101 cit\u0101 darb\u012bbas telp\u0101. Dal\u012bbniekiem tiek pied\u0101v\u0101ts daramatisk\u0101 form\u0101 att\u0113lot, izdz\u012bvot vi\u0146u dz\u012bves situ\u0101cijas vai t\u0101s tik\u0161an\u0101s un konfliktus, kuri eksist\u0113 fant\u0101zij\u0101 vai pag\u0101tn\u0113. Protagonistam pal\u012bdz noskaidrot un izstr\u0101d\u0101t nost\u0101dnes un j\u016btas, kuras izsaukusi k\u0101da situ\u0101cija vai konflikts, neskatoties uz to vai t\u0101 ir par pag\u0101tni, tagadni vai n\u0101kotni. Darb\u012bba notiek tikai p\u0113c iesild\u012b\u0161an\u0101s<\/em>, p\u0113c darb\u012bbas seko p\u0113cdarb\u012bba \u2013 \u0161eringa, dal\u012b\u0161an\u0101s periods. J.L.Moreno uzskat\u012bja, ka tad, kad protogonists no jauna p\u0101rdz\u012bvo k\u0101du situ\u0101ciju, tas ved ne tikai pie insaita (atkl\u0101smes), bet rada ar\u012b nepiecie\u0161amo distanci starp cilv\u0113ku un notikumu, uz kuru skatoties otrreiz, tas zaud\u0113 savu emocion\u0101lo intensit\u0101ti.<\/p>

DAL\u012a\u0160AN\u0100S (\u0160ERINGS).\u00a0<\/strong> P\u0113c psihodramatisk\u0101s darb\u012bbas, grupas dal\u012bbnieki tiek aicin\u0101ti dal\u012bties sav\u0101s saj\u016bt\u0101s par piedz\u012bvoto un pa\u0161pieredz\u0113. Dal\u012b\u0161an\u0101s izsl\u0113dz interpret\u0101ciju, paskaidrojumus un padomu do\u0161anu. Dal\u012b\u0161an\u0101s posms grupas dal\u012bbniekiem pal\u012bdz lab\u0101k apzin\u0101ties ar kur\u0101m lom\u0101m vai grupas dal\u012bbniekiem vi\u0146i vair\u0101k identific\u0113jas. \u0160\u012b procesa rezult\u0101t\u0101 var notikt insaits vai rasties jaunas psihodr\u0101mas.<\/p>

DIREKTORS.\u00a0<\/strong>T\u0101 psihodr\u0101m\u0101<\/em> un sociometrij\u0101<\/em> sauc psihoterapeitu vai vad\u012bt\u0101ju. Att\u012bstot psihodr\u0101mas tehnikas, J.L. Moreno lietoja te\u0101tra terminus. Dotais v\u0101rds dod priek\u0161statu par cilv\u0113ka lomu un funkciju, kur\u0161 grupai nodro\u0161ina dro\u0161u vidi, kur\u0101 var p\u0113t\u012bt dz\u012bves situ\u0101cijas. Direktors atbild par grupu, vada psihoteapeitisko sesiju balstoties uz psihodr\u0101mas noteikumiem un tehnik\u0101m, nodro\u0161ina nepiecie\u0161amo terapeitisk\u0101 darba turpin\u0101jumu. Direktora loma psihodr\u0101m\u0101 ir akt\u012bv\u0101ka un direkt\u012bv\u0101k\u0101, k\u0101 psihoanal\u012bti\u0137a loma, jo direktors, piem\u0113ram, cen\u0161as p\u0113c iesp\u0113jas minimiz\u0113t p\u0101rneses procesu.<\/p>

DUBULTNIEKS (ALTER EGO, IEK\u0160\u0112J\u0100 BALSS).\u00a0<\/strong>Cilv\u0113ks, kur\u0161 sp\u0113l\u0113 lomu vai k\u0101du protagonista lomas aspektu. Protagonistam da\u017ereiz nepiecie\u0161ams cilv\u0113ks, ku\u0161 vi\u0146u aizvieto, kur\u0161 sp\u0113l\u0113 vi\u0146a lomu, veicot \u201cdubulto\u0161anu\u201d. Par dubultnieku var b\u016bt speci\u0101li sagatavots terapeits, gan cits grupas loceklis. Piem\u0113ram, dubultienk tiek aicin\u0101ts pal\u012bdz\u0113t, izteikt dusmas,\u00a0 kuras pats protagonists nevar izteikt. Dubulto\u0161anas procesa laik\u0101 protogonistis iesilst \u0161im procesam l\u012bdz sp\u0113j pats patst\u0101v\u012bgi izteikt savas j\u016btas. Tad dubultnieka atbalsts vair\u0101k nav nepiecie\u0161ams.<\/p>

“In situ”<\/strong>. J.L.Moreno uzskat\u012bja, ka ar konfliktu vai k\u0101du situ\u0101ciju psihodr\u0101m\u0101 ir j\u0101str\u0101d\u0101 taj\u0101 pa\u0161\u0101 viet\u0101 kur t\u0101 notika. Ja psihodr\u0101ma notiek terapijas kabinet\u0101, tad, lai rad\u012btu situ\u0101cijai atbilsto\u0161u vidi, protagonistam tiek dots pietiekami daudz laiks, lai vi\u0146\u0161 tai sagatavotos un iesild\u012btos procesam.<\/p>

KO-ZEMAPZI\u0145A (CO-UNCONSCIOUS) vai KOP\u012aG\u0100 ZEMAPZI\u0145A.\u00a0<\/strong>\u00a0Neverb\u0101la bezapzin\u0101ta \u201cpievilk\u0161an\u0101s\u201d vai \u201catgr\u016b\u0161an\u0101s\u201d savstarp\u0113ji starp cilv\u0113kiem. J\u0113dziens saist\u012bts ar\u00a0tele.<\/em><\/p>

KULT\u016aRAS KONSERVS.\u00a0<\/strong>Rado\u0161\u0101 procesa gala rezult\u0101ts, piem\u0113ram, gr\u0101mata, ska\u0146darbs, izr\u0101de. J.L.Moreno uzskat\u012bja, ka kult\u016bras konservi rada \u0161\u0137\u0113r\u0161\u013cus rado\u0161ai darb\u012bbai.<\/p>

LOMU MAI\u0145A.<\/strong> Psihodr\u0101mas vai sociodr\u0101mas dal\u012bbnieks, visbie\u017e\u0101k protagonists, main\u0101s ar lom\u0101m ar k\u0101du citu, lai paskat\u012btos uz situ\u0101ciju no cita skatu punkta vai ar cita cilv\u0113ka ac\u012bm. \u0160\u0101d\u0101 veid\u0101 var ieraudz\u012bt un izp\u0113t\u012bt da\u017e\u0101dus savstarp\u0113j\u0101s uztveres izkrop\u013cojumus un p\u0113c tam tos izlabot darb\u012bb\u0101, esot sav\u0101 lom\u0101 un jau lab\u0101k saprotot citu cilv\u0113ku. J.L. Moreno uzskat\u012bja, ka \u0161\u012b ir vissvar\u012bg\u0101k\u0101 psihodr\u0101mas un sociodr\u0101mas tehnika, kura pal\u012bdz katram cilv\u0113kam iepaz\u012bt otra cilv\u0113ka iek\u0161\u0113jo pasauli. \u0160\u012b tehnika balst\u0101s uz emp\u0101tiju, bet t\u0101 iet v\u0113l t\u0101l\u0101k, jo cita cilv\u0113ka iek\u0161\u0113j\u0101 pasaule tiek attainota ar\u012b darb\u012bb\u0101.<\/p>

MONOLOGS.\u00a0<\/strong>Protagonists izsaka savas domas vai j\u016btas, kuras parasti sl\u0113pj vai notur pie sevis. Tas pal\u012bdz protagonistam sasniegt insaitu un saprast kaut ko jaunu n\u0101kotnei, k\u0101 ar\u012b v\u0113l\u0101k vi\u0146\u0161 var\u0113s izmantot \u0161o tehniku k\u0101 iesild\u012b\u0161anos pirms re\u0101l\u0101m situ\u0101cij\u0101m, kuras var sag\u0101d\u0101t gr\u016bt\u012bbas.<\/p>

PAL\u012aGPERSONA vai\u00a0<\/strong>PAPILD – “ES” <\/span>(AUXILIARY EGO).\u00a0<\/strong>Psihodr\u0101mas grupas dal\u012bbnieks, ko-terapeits vai jebkur\u0161 dal\u012bbnieks, kur\u0161 sp\u0113l\u0113 k\u0101du lomu cita psihodr\u0101m\u0101<\/em>. Pal\u012bgpersona, akt\u012bvi sp\u0113l\u0113jot savu lomu, piedal\u0101s dramatiskaj\u0101 darb\u012bb\u0101. Vi\u0146\u0161 seko direktora nor\u0101d\u012bjumiem, jo vi\u0146a uzdevums ir “apkalpot” protagonista terapeitisk\u0101s vajadz\u012bbas. Kad protagonists\u00a0<\/em>aicina k\u0101du no grupas dal\u012bbniekiem b\u016bt k\u0101d\u0101 lom\u0101, \u013coti noz\u012bm\u012bgu lomu \u0161aj\u0101 izv\u0113les proces\u0101 ie\u0146em Tele<\/em>.<\/span><\/p>

P\u0112CDARB\u012aBA, \u0160ERINGS, DAL\u012a\u0160AN\u0100S.<\/strong>\u00a0Psihodr\u0101mas vai sociodr\u0101mas sesijas tre\u0161\u0101 da\u013ca, kuras proces\u0101 katram grupas dal\u012bbniekam tiek pied\u0101v\u0101ts dal\u012bties savos p\u0101rdz\u012bvojumos, kuri saist\u012bti ar tikko notiku\u0161o dramatisko darb\u012bbu vai l\u012bdz\u012bgiem p\u0101rdz\u012bvojumiem sav\u0101 dz\u012bv\u0113. Visi grupas dal\u012bbnieki dal\u0101s ar sav\u0101s j\u016bt\u0101s un dom\u0101s, bet interpret\u0101cijas un izskaidrojumi ir aizliegti. \u0160erings pal\u012bdz grupas dal\u012bbniekiem saprast to, ar k\u0101d\u0101m lom\u0101m vai grupas dal\u012bbniekiem vi\u0146i identific\u0113jas. Bie\u017ei tas var rad\u012bt insaitu vai citas dramatiskas darb\u012bbas, kur\u0101s par protagonistu k\u013c\u016bst cits grupas dal\u012bbnieks. \u012apa\u0161i svar\u012bga ir papildus \u201ces\u201d lom\u0101 biju\u0161\u0101 grupas dal\u012bbnieka dal\u012b\u0161an\u0101s, jo kad protagonists dal\u012bja lomas starp dal\u012bbniekiem darbojas \u201ctele\u201d fenomens, kur\u0161 \u0161aj\u0101 gad\u012bjum\u0101 ir svar\u012bgs faktors.<\/p>

PROTAGONISTS.<\/strong> Kad psihodr\u0101mas sesijas laik\u0101 tiek p\u0113t\u012bta k\u0101da cilv\u0113ka dz\u012bves situ\u0101cija vai \u012bpa\u0161\u012bbas, \u0161o cilv\u0113ku sauc par protagonistu. No psihoterapeitisk\u0101 viedok\u013ca \u0161is cilv\u0113ks ir dramatisk\u0101s darb\u012bbas galven\u0101 fig\u016bra, persona, ja pat dotaj\u0101 br\u012bd\u012b vi\u0146\u0161 ir k\u0101d\u0101 no pal\u012bglom\u0101m. Psihodr\u0101mas sesijas laik\u0101 protagonistu bie\u017ei izv\u0113las iesild\u012b\u0161an\u0101s f\u0101zes laik\u0101.\u00a0<\/p>

PSIHODR\u0100MA.<\/strong> J.L. Moreno rad\u012bta psihoterapijas metode\/virziens: dz\u012bves situ\u0101ciju un konfliktu p\u0113t\u012b\u0161ana tos att\u0113lojot vai izsp\u0113l\u0113jot darb\u012bb\u0101. Psihodr\u0101ma cen\u0161as atkl\u0101t katra cilv\u0113ka dz\u012bves \u201cpaties\u012bbu\u201d vi\u0146a savstarp\u0113j\u0101s attiec\u012bb\u0101s ar citiem cilv\u0113kiem un apk\u0101rt\u0113jo pasauli. Psihodr\u0101mas sesija sast\u0101v no trij\u0101m da\u013c\u0101m: iesild\u012b\u0161anas, dramatisk\u0101s darb\u012bbas un \u0161eringa (dal\u012b\u0161an\u0101s). Sesijas laik\u0101 tiek lietotas da\u017e\u0101das psihodramatisk\u0101s tehnikas, to skait\u0101 dubulto\u0161ana, lomu mai\u0146a, spogu\u013co\u0161ana, koris, monologs. Parasti psihodr\u0101ma paredz grupas piedal\u012b\u0161anos, bet ir iesp\u0113jama ar\u012b individu\u0101l\u0101 psihodr\u0101ma, jeb monodr\u0101ma<\/em>.\u00a0<\/p>

SKATUVE.\u00a0<\/strong>Speci\u0101la vieta, kur notiek psihodr\u0101ma. Pla\u0161\u0101k\u0101 noz\u012bm\u0113 t\u0101 ir visa telpa, kur\u0101 atrodas grupa sesijas laik\u0101. \u0160aur\u0101k\u0101 noz\u012bm\u0113 – t\u0101 ir vieta telp\u0101, kur protagonists darbojas ar savu situ\u0101ciju.<\/p>

SOCI\u0100LAIS ATOMS.\u00a0<\/strong>Visu cilv\u0113ka noz\u012bm\u012bgo savstarp\u0113jo attiec\u012bbu konfigur\u0101cija. Soci\u0101lo atomu var att\u0113lot grafiski, izdalot taj\u0101 svar\u012bg\u0101s attiec\u012bbas pag\u0101tn\u0113 vai tagadn\u0113, un nov\u0113rt\u0113t t\u0101s p\u0113c intensit\u0101tes un tuv\u012bbas l\u012bme\u0146a vai distances. Soci\u0101l\u0101 atoma koncepcija stipri ietekm\u0113ja genogrammu sast\u0101d\u012b\u0161anas metodikas.<\/p>

SOCIODR\u0100MA.\u00a0<\/strong>Psihodramatiska pieeja soci\u0101lu probl\u0113mu risin\u0101\u0161an\u0101, kuru rad\u012bjis J.L. Moreno. Sociodr\u0101ma at\u0161\u0137iras no psihodr\u0101mas gan p\u0113c savas strukt\u016bras, t\u0101 ar\u012b p\u0113c m\u0113r\u0137a. Psihodr\u0101ma ir struktur\u0113ta ap viena cilv\u0113ka person\u012bgu probl\u0113mu vai (\u0123imenes psihidr\u0101mas gad\u012bjum\u0101) ap\u00a0 cilv\u0113ku grupu, kura ir maza. Sociodr\u0101mas centr\u0101 atrodas probl\u0113mas kolekt\u012bvais aspekts, bet viss person\u012bgais atrodas otraj\u0101 pl\u0101n\u0101.\u00a0 Sociodr\u0101m\u0101 “protagonists” ir apak\u0161grupa, nevis viens cilv\u0113ks. Sesija t\u0101pat sast\u0101v no iesild\u012b\u0161an\u0101s, darb\u012bbas un dal\u012b\u0161an\u0101s.<\/p>

SOCIOMETRIJA.\u00a0<\/strong>Zin\u0101tniska metode, ar kuras pal\u012bdz\u012bbu var skaitliski, kvantitat\u012bvi izm\u0113r\u012bt savstarp\u0113j\u0101s attiec\u012bbas grup\u0101. Ar \u0161\u012bs metodes pal\u012bdz\u012bbu var paredz\u0113t savstarp\u0113jo attiec\u012bbu likumsakar\u012bbu darb\u012bbu, kuras darbosies noteikt\u0101s situ\u0101cij\u0101s.<\/p>

SPOGU\u013bO\u0160ANA (SPOGULIS).\u00a0<\/strong>Da\u017ereiz protagonists neskaidri uztver sevi vai ar\u012b direktors grib, lai vi\u0146\u0161 paskat\u012btos uz sevi no malas un kaut ko apzin\u0101tos, direktors var izmantot psihodramatisk\u0101 spogu\u013ca tehniku. Parasti protagonistam tiek pied\u0101v\u0101ts b\u016bt par skat\u012bt\u0101ju un paskat\u012bties no malas uz to, k\u0101 uz skatuves pal\u012bgpersona par\u0101da vi\u0146a darb\u012bbu un v\u0101rdus. Pal\u012bgpersona sp\u0113l\u0113 protagonista lomu, atdarinot vi\u0146a uzved\u012bbu, cen\u0161oties ar sav\u0101m kust\u012bb\u0101m un v\u0101rdiem p\u0113c iesp\u0113jas piln\u012bg\u0101k par\u0101d\u012bt vi\u0146a j\u016btas, par\u0101dot vi\u0146a \u201cspogu\u013catt\u0113lu\u201d.<\/p>

SPONTANIT\u0100TE.\u00a0<\/strong>Cilv\u0113ka sp\u0113ja adekv\u0101ti rea\u0123\u0113t uz jaunu situ\u0101ciju vai ar\u012b pa-jaunam rea\u0123\u0113t uz pierastu situ\u0101ciju. Citiem v\u0101rdiem sakot, cilv\u0113ka spont\u0101na reakcija pamatojas uz\u00a0tagad,\u00a0<\/em>bet ne uz to, ko cilv\u0113ks iem\u0101c\u012bjies agr\u0101k un ko vi\u0146\u0161 akli pielieto katru reizi jebkur\u0101 situ\u0101cij\u0101. P\u0113c J.L. Moreno dom\u0101m spontanit\u0101te ir saist\u012bta ar rado\u0161aj\u0101m sp\u0113j\u0101m. B\u0113rni, kurus nav \u201csaboj\u0101ju\u0161i\u201d pie\u0146\u0113mumi, \u201ckult\u016bras konservi\u201d vai stereotipi, bija J.L.Moreno spontanit\u0101tes paraugs.<\/p>

TELE.<\/strong> P\u0113c J.L. Moreno dom\u0101m tele<\/em> ir faktors, kur\u0161 ietekm\u0113 soci\u0101lo konfigur\u0101ciju nejau\u0161\u012bbu l\u012bmeni. Gordons Olports tele\u00a0<\/em>defin\u0113 k\u0101 sp\u0113ju ar \u012bpa\u0161a insaita pal\u012bdz\u012bbu saprast citu cilv\u0113ku, sp\u0113ju tie\u0161i uztvert citu un just vi\u0146u. Tele <\/em>izpau\u017eas k\u0101 moment\u0101na neverb\u0101la saskarsme (piem\u0113ram, kad divus cilv\u0113kus p\u016bl\u012b br\u012bnumain\u0101 k\u0101rt\u0101 velk vienu pie otra) vai k\u0101 bezapzin\u0101ta savstarp\u0113ja pievilk\u0161an\u0101s (piem\u0113ram, kad psihodr\u0101mas sesij\u0101 protagonists izv\u0113las vienu sievieti savas m\u0101tes lomai, bet t\u0101 jau iepriek\u0161 \u201czina\u201d, ka vi\u0146\u0161 izv\u0113l\u0113sies tie\u0161i vi\u0146u).\u00a0Tele<\/em> ir svar\u012bg\u0101kais grupas darba faktors, jo rezult\u0101t\u0101 pal\u012bdz cilv\u0113kiem saprast savas identifik\u0101cijas un ieraudz\u012bt sava p\u0101rneses dinamiku.<\/p>

VIRSREALIT\u0100TE (SURPLUS-REALITY).<\/strong> Dramatisk\u0101s darb\u012bbas pasaules vieta, kur\u0101 savu iemiesojumu var rast idejas, un t\u0113li. To visu var spilgti izdz\u012bvot \u012bpa\u0161\u0101 telp\u0101 \u2013 realit\u0101t\u0113, speci\u0101li rad\u012bt\u0101, lai tos iemiesotu. T\u0101 ir realit\u0101te, kura izmain\u012bta ar izt\u0113les pal\u012bdz\u012bbu, kad vienus aspektus var p\u0101rsp\u012bl\u0113t, bet citus minimiz\u0113t. Psihodr\u0101m\u0101 t\u0101pat k\u0101 realit\u0101t\u0113, cilv\u0113ki ir aicin\u0101ti ienest dz\u012bv\u0113 kaut ko savu, lai to padar\u012btu lab\u0101ku vai \u201cliel\u0101ku\u201d, jo tas maina skat\u012bjumu uz realit\u0101ti.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Alfab\u0113tisk\u0101 sec\u012bb\u0101 sak\u0101rtoti termini, kurus izmanto psihodr\u0101m\u0101, sociometreij\u0101 un grupu psihoterapij\u0101. AKSIODR\u0100MA\u00a0– psihodr\u0101mas veids, kur\u0101 uzman\u012bba ir piev\u0113rsta soci\u0101li \u0113tisku v\u0113rt\u012bbu izp\u0113tei. J.L.Moreno rad\u012bja Aksiodr\u0101mu darbam ar Kult\u016bras konserviem.\u00a0Aksiodr\u0101mas m\u0113r\u0137is – \u013caut cilv\u0113kam par\u0101d\u012bt savu patieso Es, nesl\u0113pjoties aiz mask\u0101m vai k\u0101das lomas. Aksiodr\u0101ma ir pirmais posms Sociodr\u0101mas un Psihodr\u0101mas att\u012bst\u012bb\u0101. DARB\u012aBA vai DRAMATISK\u0100 DARB\u012aBA, […]<\/p>\n","protected":false},"author":1,"featured_media":2138,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","entry","has-media","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-horizontal","has-no-thumbnails","circle-sale"],"_links":{"self":[{"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/posts\/2127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/comments?post=2127"}],"version-history":[{"count":0,"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/posts\/2127\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/media\/2138"}],"wp:attachment":[{"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/media?parent=2127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/categories?post=2127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/psihodrama.lv\/lv\/wp-json\/wp\/v2\/tags?post=2127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}