{"id":2629,"date":"2023-07-24T16:35:30","date_gmt":"2023-07-24T13:35:30","guid":{"rendered":"https:\/\/psihodrama.lv\/?page_id=2629"},"modified":"2023-07-24T16:35:30","modified_gmt":"2023-07-24T13:35:30","slug":"gramatu-katalogs","status":"publish","type":"page","link":"https:\/\/psihodrama.lv\/en\/gramatu-katalogs\/","title":{"rendered":"Gr\u0101matu katalogs"},"content":{"rendered":"
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Numurs<\/th>Autors<\/th>Nosaukums<\/th>Gads<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>Moreno Jonathan D.<\/td>Impromptu Man. J. L. Moreno and the Origins of Psychodrama, Encounter Culture, and the Social Network.<\/td>2014<\/td>\n<\/tr>\n
2<\/td>Moreno Jonathan D.<\/td>Group Psychotherapy and Psychodrama. Official Organ of the American Society of Group Psychotherapy and Psychodrama. Vol. XXVII, No. 1-4<\/td>1974<\/td>\n<\/tr>\n
3<\/td>Moreno J. L.<\/td>Psychodrama. First Volume.<\/td>1977<\/td>\n<\/tr>\n
4<\/td>Moreno J. L.<\/td>Sociometry, Experimental Method and the Science of Society. An Approch to a New Potlitical Orientation.<\/td>1951<\/td>\n<\/tr>\n
5<\/td>Moreno J. L.<\/td>Preludes to my Autobiography. Introduction to Who Shall Survive.<\/td>1955<\/td>\n<\/tr>\n
6<\/td>Moreno J. L.<\/td>The Theatre of Spontaneity. Second Edition.<\/td>1973<\/td>\n<\/tr>\n
7<\/td>Moreno J. L.<\/td>Who Shall Survive? Foundations of Sociometry, Group<\/td>1978<\/td>\n<\/tr>\n
8<\/td>Moreno J. L. Moreno Zerka T.<\/td>Psychodrama and Systemic. Third Volume. Action Therapy & Principles of Practice.<\/td>1975<\/td>\n<\/tr>\n
9<\/td>Moreno J. L. Moreno Zerka T.<\/td>Psychodrama. Second Volume. Foundations of Psychotherapy.<\/td>1975<\/td>\n<\/tr>\n
10<\/td>Moreno Zerka T.<\/td>To Dream About. A Memoir.<\/td>2012<\/td>\n<\/tr>\n
11<\/td>Moreno Zerka T.<\/td>Group Psychotherapy and Psychodrama. Official Organ of the American Society of Group Psychotherapy and Psychodrama. Vol. XXVIII<\/td>1975<\/td>\n<\/tr>\n
12<\/td>Moreno Zerka T.<\/td>Group Psychotherapy and Psychodrama. Official Organ of the American Society of Group Psychotherapy and Psychodrama. Vol. XXXII<\/td>1979<\/td>\n<\/tr>\n
13<\/td>Moreno Zerka T., Blomkvist Leif Dag, Rutzel Thomas<\/td>Psychodrama, Surplus Reality and the Art of Healing.<\/td>2000<\/td>\n<\/tr>\n
14<\/td>Moreno J. L.<\/td>Psychodrama & Group Psychotherapy. First Volume.<\/td>1972<\/td>\n<\/tr>\n
15<\/td>Sternberg P., Garcia A.<\/td>Sociodrama. Who's in your shoes?<\/td>1990<\/td>\n<\/tr>\n
16<\/td>Holmes Paul, Karp Marcia, Watson Michael<\/td>Psychodrama since Moreno. Inovations in Theory ans Practice.<\/td>1994<\/td>\n<\/tr>\n
17<\/td>Marineau Rene F.<\/td>Jacob Levy Moreno. 1889-1974. Father of psychodrama, sociometry and group psychotherapy.<\/td>1989<\/td>\n<\/tr>\n
18<\/td>Scheiffele Eberhard<\/td>The Theatre of Truth. Psychodrama, Spontaneity and Improvisation: The Theatrical Theories and Influences of Jacob Levy Moreno.<\/td>1995<\/td>\n<\/tr>\n
19<\/td>Beacon House INC<\/td>The Words of the Father.<\/td>1971<\/td>\n<\/tr>\n
20<\/td>Cossa Mario, Sally S. Fleischmann Ember, Lauren Grover, Jennifer L. Hazelwood<\/td>ACTING OUT: THE WORKBOOK. A Guide to the Development and Presentation of Issue-oriented, Audience-interactive, Improvisational Theatre.<\/td>1996<\/td>\n<\/tr>\n
21<\/td>Robert L. Fuhlrodt<\/td>PSYCHODRAMA. Its Application to ACOA ans Substance Abuse Treatment.<\/td>1990<\/td>\n<\/tr>\n
22<\/td>Chris Farmer<\/td>Psychodrama and Systematic Therapy.<\/td>1995<\/td>\n<\/tr>\n
23<\/td>Jonathan Fox<\/td>The Essential Moreno. Writings on Psychodrama Group Method, and Spontaneity by J. L. Moreno, M. D.<\/td>1987<\/td>\n<\/tr>\n
24<\/td>G. Douglas Warner, Ph. D.<\/td>Psychodrama Training Tips<\/td>1945<\/td>\n<\/tr>\n
25<\/td>Beacon House INC<\/td>Group Psychotherapy. A Symposium.<\/td>1945<\/td>\n<\/tr>\n
26<\/td>Bernadette Hoey<\/td>WHO CALLS THE TUNE? A Psychodramatic approach to child therapy.<\/td>1997<\/td>\n<\/tr>\n
27<\/td>Peter A. Pizele, Ph.D.<\/td>Scripture Windows. Towards a Practice of Bibliodrama.<\/td>1998<\/td>\n<\/tr>\n
28<\/td>Paul Holmes, Mark Farrall, Kate Kirk<\/td>Empowering Therapeutic Practice. Integrating Psychodrama into other Therapies<\/td>2014<\/td>\n<\/tr>\n
29<\/td>G. M. Clayton<\/td>Enhancing. Life & Relationships. A Role Training Manual. Book 2 in a series of training books.<\/td>1992<\/td>\n<\/tr>\n
30<\/td>David A. Kipper<\/td>Psychotherapy Through Clinical role Playing<\/td>1986<\/td>\n<\/tr>\n
31<\/td>Antony Williams<\/td>Forbidden Agendas. Strategic actions in groups.<\/td>1991<\/td>\n<\/tr>\n
32<\/td>K.M. Evans<\/td>Sociometry and Education.<\/td>1962<\/td>\n<\/tr>\n
33<\/td>Joyce McDougall<\/td>Theatres of the mind. Illusion and Truth on the Psychoanalytic Stage<\/td>1986<\/td>\n<\/tr>\n
34<\/td>Martin R. Haskell, Ph.D.<\/td>Socioanalysis: Self Direction via Sociometry and Psychodrama.<\/td>1975<\/td>\n<\/tr>\n
35<\/td>Chris Farmer<\/td>Psychodrama and Systemic Therapy.<\/td>1995<\/td>\n<\/tr>\n
36<\/td>Edited by Marcia Karp, Paul Holmes and Kate, Bradshaw Tauvon<\/td>The Handbook of Psychodrama.<\/td>1998<\/td>\n<\/tr>\n
37<\/td>A.Paul Hare and June Rabson Hare<\/td>J.L. Moreno<\/td>1996<\/td>\n<\/tr>\n
38<\/td>Mendelson,Peter Dean<\/td>Rethinking Sociometry:Toward The reunification of Theory, Philosophy,Methodology and Praxis.<\/td>1976<\/td>\n<\/tr>\n
39<\/td>Robert A. Johnson<\/td>Inner Work. Using Dreams and Active Imagination for Personal Growht.<\/td>1986<\/td>\n<\/tr>\n
40<\/td>Adam Blatner, M.D with Allee Blatner<\/td>Foundations of Psychodrama. History, Theory, and Practice.<\/td>1988<\/td>\n<\/tr>\n
41<\/td>Irvin D. Yalom<\/td>The Theory and Practice of group Psychotherapy<\/td>1979<\/td>\n<\/tr>\n
42<\/td>Adam Blatner, M.D<\/td>ACTING-IN. Practical Applications of Psychodramatic Methods. Second Edition.<\/td>1988<\/td>\n<\/tr>\n
43<\/td>Peter Felix Kellermann, Foreword by Jonathan, D Moreno<\/td>Focus on Psychodrama. The Therapeutic Aspects of Psychodrama.<\/td>1990<\/td>\n<\/tr>\n
44<\/td>Hovard A.Blatner, M.D<\/td>ACTING -IN. Practical Applications of Psychodramatic Methods.<\/td>1973<\/td>\n<\/tr>\n
45<\/td>Anne Bannister<\/td>The Healing Drama. Psychodrama and Dramatherapy with Abused Children<\/td>1997<\/td>\n<\/tr>\n
46<\/td>Elaine Eller Goldman, Delcy Schram Morrison<\/td>Psychodrama: Experience and Process<\/td>1984<\/td>\n<\/tr>\n
47<\/td>Antony Williams<\/td>The Passionate Technique. Strategic psychodrama with individuals, families,and groups<\/td>1989<\/td>\n<\/tr>\n
48<\/td>Constantin Stanislavski<\/td>Building a character<\/td>1981<\/td>\n<\/tr>\n
49<\/td>Peter Felix Kellermann<\/td>Therapeutic Aspects of Psychodrama<\/td>1986<\/td>\n<\/tr>\n
50<\/td>Jonathan Fox<\/td>Acts of service. Spontaneity, Commitment, Tradition in the Nonscripted Theatre<\/td>1986<\/td>\n<\/tr>\n
51<\/td>Lewis Yablonsky<\/td>Psychodrama. Resolving Emotional Problems Through Role -Playing<\/td>1981<\/td>\n<\/tr>\n
52<\/td>Edited by Paul Holmes<\/td>Psychodrama: inspiration and<\/td>1991<\/td>\n<\/tr>\n
53<\/td>and Marcia Karp<\/td>technique<\/td><\/td>\n<\/tr>\n
54<\/td>Antony Williams<\/td>Visual & Active Supervision. roles,Focus,Technique.<\/td>1995<\/td>\n<\/tr>\n
55<\/td>John Nolte<\/td>The Psychodrama Papers<\/td>2008<\/td>\n<\/tr>\n
56<\/td>Pierre Fontaine<\/td>Psychodrama training a European view<\/td>1999<\/td>\n<\/tr>\n
57<\/td>G.M. Clayton<\/td>Directing psychodrama a training companion<\/td>1991<\/td>\n<\/tr>\n
58<\/td>P.F.Kellermann and M.K.Hudgins<\/td>Psychodrama with trauma survivors. Acting out your pain<\/td>2001<\/td>\n<\/tr>\n
59<\/td>Eva Leveton<\/td>A clinician's guide to psychodrama.<\/td>1992<\/td>\n<\/tr>\n
60<\/td>P. Sternberg, A. Garcia<\/td>Sociodrama. Second edition<\/td>2000<\/td>\n<\/tr>\n
61<\/td>Iryna M. Serhiienko<\/td>Phantom reality andpsychodramatic practic<\/td>2017<\/td>\n<\/tr>\n
62<\/td>Lewis Yablonsky<\/td>Psychodrama. Resolving Emotional Problems Through Role-Playing.<\/td>1981<\/td>\n<\/tr>\n
63<\/td>Paul Holmes<\/td>The Inner World Outside. Object Relations Theory and Psychodrama<\/td>1992<\/td>\n<\/tr>\n
64<\/td>Ira A. Greenberg<\/td>Psychodrama. Theory and Therapy.<\/td>1974<\/td>\n<\/tr>\n
65<\/td>Ron Wiener<\/td>Creative Training. Sociodrama and Team-building.<\/td>1997<\/td>\n<\/tr>\n
66<\/td>Pierre Fontaine<\/td>Psychodrama. Studies and Applications<\/td>2008<\/td>\n<\/tr>\n
67<\/td>Sternberg P.,Garcia A.<\/td>Sociodrama. Who's in your shoes?<\/td>1990<\/td>\n<\/tr>\n
68<\/td>Baim Clark, Burmeister Jorge, Maciel Manuela<\/td>Psychodrama. Advances in Theory and Practice<\/td>2007<\/td>\n<\/tr>\n
69<\/td>Miller Connie<\/td>Starve The Ego: Feed The Soul! Souldrama: Ignite Your Spiritual Intelligence!<\/td>2010<\/td>\n<\/tr>\n
70<\/td>\u0417\u043e\u043b\u043e\u0442\u043e\u0432\u0438\u0446\u043a\u0438\u0439 \u0420\u043e\u043c\u0430\u043d<\/td>\u041f\u043e\u043d\u0438\u043c\u0430\u0442\u044c \u041c\u043e\u0440\u0435\u043d\u043e<\/td>2020<\/td>\n<\/tr>\n
71<\/td>\u0414\u0436\u0430\u043a\u043e\u0431\u043e \u041c\u043e\u0440\u0435\u043d\u043e<\/td>\u0422\u0435\u0430\u0442\u0440 \u0441\u043f\u043e\u043d\u0442\u0430\u043d\u043d\u043e\u0441\u0442\u0438<\/td>1993<\/td>\n<\/tr>\n
72<\/td>\u0421\u0435\u0440\u0433\u0438\u0435\u043d\u043a\u043e \u0418\u0440\u0438\u043d\u0430<\/td>\u0424\u0430\u043d\u0442\u043e\u043c\u044b \u0434\u0443\u0448\u0438 - \u0437\u0430\u043c\u0435\u0442\u043a\u0438 \u043f\u0441\u0438\u0445\u043e\u0434\u0440\u0430\u043c\u0430\u0442\u0435\u0440\u0430\u043f\u0435\u0432\u0442\u0430<\/td>2017<\/td>\n<\/tr>\n
73<\/td>\u0411\u0435\u043b\u0438\u043d\u0441\u043a\u0430\u044f \u0415\u043b\u0435\u043d\u0430 \u0412<\/td>\u0414\u0438\u0430\u0433\u043d\u043e\u0441\u0442\u0438\u043a\u0430 \u0438 \u043f\u0440\u043e\u0444\u0438\u043b\u0430\u043a\u0442\u0438\u043a\u0430 \u044d\u043c\u043e\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0432\u044b\u0433\u043e\u0440\u0430\u043d\u0438\u044f \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u043e\u0432 \u0434\u043e\u0448\u043a\u043e\u043b\u044c\u043d\u044b\u0445 \u0443\u0447\u0440\u0435\u0436\u0434\u0435\u043d\u0438\u0439<\/td>2012<\/td>\n<\/tr>\n
74<\/td>Wilma Scategni<\/td>Das Psychodrama. Zwischen allta\"glicher und archetypischer Erfahrungswelt<\/td>1994<\/td>\n<\/tr>\n
75<\/td><\/td>The British Journal of Psychodrama and Sociodrama<\/td>-<\/td>\n<\/tr>\n
76<\/td>Zerka T. Moreno, Leif Dag Blomkvist, Thomas Ru:tzel<\/td>A Realidade Suplementar E A Arte De Curar<\/td>-<\/td>\n<\/tr>\n
77<\/td>Zoli Figusch<\/td>The J. L. Moreno Memorial Photo Album<\/td>-<\/td>\n<\/tr>\n
78<\/td>Marc Treadwell<\/td>The Real Surrealistic Psychodrama<\/td>-<\/td>\n<\/tr>\n
79<\/td>Sigmund Freud<\/td>Totem and Taboo<\/td>1983<\/td>\n<\/tr>\n
80<\/td>C.G. Jung<\/td>Aspects of the Feminine<\/td>1982<\/td>\n<\/tr>\n
81<\/td>John A.Sanford<\/td>EVIL.The Shadow Side of reality<\/td>1981<\/td>\n<\/tr>\n
82<\/td>Thorkil Vanggaard<\/td>Borderlands of Sanity<\/td>1979<\/td>\n<\/tr>\n
83<\/td>Ralph R. Greenson<\/td>The Technique and practice of Psychoanalysis. Volume 1.<\/td>1967<\/td>\n<\/tr>\n
84<\/td>Eugene T. Gendlin, Ph.D<\/td>Focusing<\/td>1978<\/td>\n<\/tr>\n
85<\/td>Walter G.Klopfer, Ph.D<\/td>The Psychological Report<\/td>1960<\/td>\n<\/tr>\n
86<\/td>Michel Foucault, Ludwig Binswanger<\/td>Dream & Existence<\/td>1993<\/td>\n<\/tr>\n
87<\/td>Peter E.Sifneos<\/td>Short -Term Psychotherapy and Emotional Crisis<\/td>1972<\/td>\n<\/tr>\n
88<\/td>Richard Ofshe, Ethan Watters<\/td>Making Monsters: False Memories, Psychotherapy, and Sexual Hysteria<\/td>1994-1995<\/td>\n<\/tr>\n
89<\/td>Karen Horney, M.D<\/td>Feminine Psychology<\/td>1967<\/td>\n<\/tr>\n
90<\/td>Babette rothschild<\/td>The Body remembers CASEBOOK. Unifying Metods and Models in the Treatment of Trauma and PTSD<\/td>2003<\/td>\n<\/tr>\n
91<\/td>Francoise O'Kane<\/td>Sacred Chaos. Reflections on God's Shadow and the Dark Self<\/td>1994<\/td>\n<\/tr>\n
92<\/td>Patrik J.Carnes, Ph.D.<\/td>The Betrayal Bond. Breaking Free of Exploitive relationship<\/td>1997<\/td>\n<\/tr>\n
93<\/td>Adolf Guggenbu\"hl- Craig<\/td>Eros on crutches. On the nature of the psychopath<\/td>1980<\/td>\n<\/tr>\n
94<\/td>Edited by Anthony Molino<\/td>Freely Associated. Encounters in Psychoanalysis<\/td>1997<\/td>\n<\/tr>\n
95<\/td>Marie-Louise von Franz<\/td>Puer Aeternus. A Psychological Study of the Adult Struggle with the Paradise of Childhood<\/td>1970<\/td>\n<\/tr>\n
96<\/td>Edited by Windy Dryden, Laurence Spurling<\/td>On Becoming a Psychotherapist<\/td>1989<\/td>\n<\/tr>\n
97<\/td>John A.Sanford<\/td>Between people. Communicating one-to-one<\/td>1982<\/td>\n<\/tr>\n
98<\/td>Anna Freud<\/td>The Ego And The Meschanisms of Defence<\/td>1961<\/td>\n<\/tr>\n
99<\/td>David Shapiro<\/td>Neurotic Styles<\/td>1965<\/td>\n<\/tr>\n
100<\/td>W. R. D. Fairbairn<\/td>Psychoanalytic Studies of the Personality<\/td>1952<\/td>\n<\/tr>\n
101<\/td>Andre' Green<\/td>On Private Madness<\/td>1972<\/td>\n<\/tr>\n
102<\/td>Edited by Roy Meadow<\/td>ABC of Child Abuse<\/td>1989<\/td>\n<\/tr>\n
103<\/td>Henry Giarretto<\/td>Integrated Treatment of Child Sexual Abuse. A Treatment and Training Manual<\/td>1982<\/td>\n<\/tr>\n
104<\/td>Kathryn B.Hagans, Joyce Case<\/td>When Your Child Has Been Molested. A Parent's Guide to Healing and recovery<\/td>1988<\/td>\n<\/tr>\n
105<\/td>Edited by Richard D. Krugman<\/td>Child Abuse &Neglect. The International Journal<\/td>1993<\/td>\n<\/tr>\n
106<\/td>Ramon C.Ganzarain,M.D., Bonnie J.Buchele, Ph.D<\/td>Fugitives of incest. A perspective from Psychoanalysis and Groups<\/td>1988<\/td>\n<\/tr>\n
107<\/td>Edited by Jacobson,M.D<\/td>The Self and The Object World. Journal of the American Psychoanalytic Association Monograph Series Number Two<\/td>1964<\/td>\n<\/tr>\n
108<\/td>Editor: Dr . Karl Mannheim, Walter Hollitscher<\/td>SIGMUND FREUD An introduction. A Presentationof his Theory, and a Discussion of the relationship between Psycho-analysis and Sociology<\/td>1947<\/td>\n<\/tr>\n
109<\/td>Richard Zacks<\/td>History Laid Bare. Love,sex,and perversity from the ancient etruscans to Warren G. Harding<\/td>1994<\/td>\n<\/tr>\n
110<\/td>Theodore Isaak Rubin<\/td>Jordi,Lisa & David<\/td>1962<\/td>\n<\/tr>\n
111<\/td>Frances S.Dayee<\/td>Private zone<\/td>1982<\/td>\n<\/tr>\n
112<\/td>Gerald Schoenewolf<\/td>The Art of Hating<\/td>1991<\/td>\n<\/tr>\n
113<\/td>Editors: S. G. M. LEE, A. R. Mayes<\/td>Dreams &Dreaming<\/td>1973<\/td>\n<\/tr>\n
114<\/td>Erich Neumann<\/td>Depth Psychology and a new ETHIC<\/td>1990<\/td>\n<\/tr>\n
115<\/td>Patrik Carnes, Ph.D.<\/td>Out of the Shadows<\/td>1992<\/td>\n<\/tr>\n
116<\/td>Imre Szecs\u00f6dy<\/td>The Learning process in psychotherapy supervision<\/td>1990<\/td>\n<\/tr>\n
117<\/td>Monica Sj\u00f6\u00f6, Barbara Mor<\/td>The Great Cosmic Mother. Rediscovering the religion of the Earth<\/td>1987<\/td>\n<\/tr>\n
118<\/td>Joanne Greenberg<\/td>I never promised you a rose garden<\/td>1964<\/td>\n<\/tr>\n
119<\/td>Erving Goffman<\/td>Asylums. Essays on the social situation of mental patients and other inmates<\/td>1959<\/td>\n<\/tr>\n
120<\/td>Edited by Toni Horvation, Edward Schreiber<\/td>The Quintessential Zerka. Writings by Zerka Toeman Moreno on Psychodrama, Sociometry and Group Psychotherapy<\/td>2006<\/td>\n<\/tr>\n
121<\/td>Phyllis Chesler<\/td>Women & Madness<\/td>1972<\/td>\n<\/tr>\n
122<\/td>Sonja Linden, Jenny Grut<\/td>The Healing fields. Working with psychotherapy and nature to rebuild shattered lives.<\/td>2002<\/td>\n<\/tr>\n
123<\/td>Virginia M.Axline<\/td>Dibs in search of self<\/td>1964<\/td>\n<\/tr>\n
124<\/td>Sheldon Kopp<\/td>If You Meet the Buddha on the road, Kill Him!<\/td>1972<\/td>\n<\/tr>\n
125<\/td>Heinrich Racker<\/td>Transference and Countertransference<\/td>1968<\/td>\n<\/tr>\n
126<\/td>Jacques Lacan<\/td>The four Fundamental concepts of Psycho-Analysis<\/td>1973<\/td>\n<\/tr>\n
127<\/td>Tilman Furniss<\/td>The Multi-professional handbook of child sexual abuse. Integrated management, therapy, and legal intervention<\/td>1991<\/td>\n<\/tr>\n
128<\/td>Marie Bonaparte<\/td>Female Sexuality<\/td>1953<\/td>\n<\/tr>\n
129<\/td>Stuart Bell M.P.<\/td>When Salem Came to the Boro. The true story of the cleveland child abuse crisis<\/td>1988<\/td>\n<\/tr>\n
130<\/td>Kathleen DesMaisons, Ph.D.<\/td>Potatoes Not Prozac. A Natural Seven-Step Dietary Plan to A Natural Seven-Step Dietary Plan to Stabilize the Level of Sugar in Your Blood,Control Your Cravings and Lose Weight,and recognize How Foods Affect the Way You Feel<\/td>1998<\/td>\n<\/tr>\n
131<\/td>Robert A.Johnson<\/td>He. Understanding, Masculine, Psychology<\/td>1974<\/td>\n<\/tr>\n
132<\/td>Cherry Gilchrist<\/td>The Circle of Nine. Understanding the feminine psyche.<\/td>1988<\/td>\n<\/tr>\n
133<\/td>Donald Meltzer M.D.<\/td>Sexual States of Mind<\/td>1973<\/td>\n<\/tr>\n
134<\/td>Charles L.Pelton<\/td>The Sex Book. For those who think they know it all<\/td>1979<\/td>\n<\/tr>\n
135<\/td>Gwendolyn Moore<\/td>Pagan Meditations. Aphrodite, Hestia, Artemis.<\/td>1986<\/td>\n<\/tr>\n
136<\/td>Ginette Paris (Translated by: Joanna Mott)<\/td>Pagan Grace. Dionysos, Hermes, and Goddess Memory in Daily Life<\/td>1990<\/td>\n<\/tr>\n
137<\/td>C.G.Jung<\/td>Flying Saucers. A Modern myth of things seen in the sky<\/td>1959<\/td>\n<\/tr>\n
138<\/td>Stanley Keleman<\/td>Sexuality, Self & Survival<\/td>1971<\/td>\n<\/tr>\n
139<\/td>Roger A. MacKinnot, M.D, Robert Michels, M.D.<\/td>The Psychiatric Interview in Clinical Practive<\/td>1971<\/td>\n<\/tr>\n
140<\/td>Lucille Hollander Blum, Helen H.Davidson, Nina D. Fieldsteel<\/td>A Rorschach Workbook<\/td>1954<\/td>\n<\/tr>\n
141<\/td>Edited by James Hillman<\/td>Facing the Gods. Amazons, Dionysos, Hestia, Ariadne, Hermes, Hephaistos, Rhea, Athene, Artemis<\/td>1980<\/td>\n<\/tr>\n
142<\/td>Robert A. Johnson<\/td>SHE. Understanding Feminine Psychology<\/td>1976<\/td>\n<\/tr>\n
143<\/td>Albert Bandura<\/td>Principles of BEHAVIOR MODIFICATION<\/td>1969<\/td>\n<\/tr>\n
144<\/td>Marie-Louise von Franz<\/td>Alchemy. An Introduction to Symbolism and the Psychology<\/td>1980<\/td>\n<\/tr>\n
145<\/td>Marie-Louise von Franz<\/td>Interpritation of Fairytales.<\/td>1982<\/td>\n<\/tr>\n
146<\/td>Donald Meltzer, M.D.<\/td>The Psycho-Analytical process.<\/td>1967<\/td>\n<\/tr>\n
147<\/td>Harry Guntrip<\/td>Psychoanalytic Theory, Therapy, and the Self. A basic guide to the human personality in Freud, Erikson, Klein, Sullivan, Fairbairn, Hartmann, Jacobson, & Winnicot<\/td>1971, 1973<\/td>\n<\/tr>\n
148<\/td>Edited by Dr. A. A. Brill<\/td>The Basic Writings of Sigmund Freud.<\/td>1938<\/td>\n<\/tr>\n
149<\/td>Wilhelm Reich<\/td>Character Analysis<\/td>1945<\/td>\n<\/tr>\n
150<\/td>Charles Ponce'<\/td>Working the Soul. Reflections on Jungian Psychology<\/td>1988<\/td>\n<\/tr>\n
151<\/td>Mario A.Jacoby<\/td>Longing for Paradise. Psychological Perspectives on an ARCHETYPE.<\/td>1985<\/td>\n<\/tr>\n
152<\/td>David H.Malan, D.M., F. R. C.Psych.<\/td>The Frontier of Brief Psychotherapy. An Example of the Convergence of research and Clinical Practice<\/td>1976<\/td>\n<\/tr>\n
153<\/td>Edited by Donald L. Nathanson<\/td>Affect, Script, and Psychotherapy<\/td>1996<\/td>\n<\/tr>\n
154<\/td>David Campbell, Ros Draper and Clare Huffington<\/td>Teaching Systemic Thinking.<\/td>1988<\/td>\n<\/tr>\n
155<\/td>James Mann,M.D.<\/td>Time -Limited Psychotherapy. September.<\/td>1973<\/td>\n<\/tr>\n
156<\/td>Paul A.Dewald M.D.<\/td>Psychotherapy a dynamic approach.<\/td>1964<\/td>\n<\/tr>\n
157<\/td>Edition by robert r.Holt<\/td>Diagnostic Psychological Testing.<\/td>1968<\/td>\n<\/tr>\n
158<\/td>Virginia Satir,John Banmen,<\/td>The Satir Model.<\/td><\/td>\n<\/tr>\n
159<\/td>Jane Gerber,Maria Gomori<\/td>Family Therapy and Beyong.<\/td>1991<\/td>\n<\/tr>\n
160<\/td>Ernest G.Schachtel<\/td>Experiential Foundations of rorschach's test.<\/td>1966<\/td>\n<\/tr>\n
161<\/td>ralph r. Greenson<\/td>The Technique and Practice of Psycho-Analysis.<\/td>1967<\/td>\n<\/tr>\n
162<\/td>Melanie Klein<\/td>Her World and Her Work. Phyllis Gross-Kurth.Alfred A.Knopf<\/td>1986<\/td>\n<\/tr>\n
163<\/td>Michael Kraus<\/td>Aromatherapy<\/td>1990<\/td>\n<\/tr>\n
164<\/td>Michel Foucault<\/td>Discipline and Punish.The birth of the prison.<\/td>1975<\/td>\n<\/tr>\n
165<\/td>Deborah roberts<\/td>Raped<\/td>1981<\/td>\n<\/tr>\n
166<\/td>S. Jennings<\/td>Dramatherapy: Therapy and Practice 2<\/td>1992<\/td>\n<\/tr>\n
167<\/td>Augusto Boal<\/td>Games for actors and non-actors. Second edition<\/td>2002<\/td>\n<\/tr>\n
168<\/td>Jennings Sue, Minde Ase<\/td>Art Therapy and Dramatherapy<\/td>1993<\/td>\n<\/tr>\n
169<\/td>Beacon House \/ A Symposium<\/td>Group Psychotherapy<\/td>1945<\/td>\n<\/tr>\n
170<\/td>Brandes Donna and Phillips Howard<\/td>Gamesters' Handbook. 140 Games for Teachers and Group Leaders<\/td>1977<\/td>\n<\/tr>\n
171<\/td>Roger Grainger<\/td>Drama and Healing. The Roots of Drama Therapy.<\/td>1990<\/td>\n<\/tr>\n
172<\/td>James Penrod<\/td>MOVEMENT for the Performing Artist<\/td>1974<\/td>\n<\/tr>\n
173<\/td>Brunori L. & Burmeister J.<\/td>FORUM. Journal of The International Association of Group Psychotherapy<\/td>2004<\/td>\n<\/tr>\n
174<\/td>Jones Phil, Dokter Ditty<\/td>Supervision of Dramatherapy<\/td>2009<\/td>\n<\/tr>\n
175<\/td>Dayton Tian<\/td>Drama Games. Tehniques For Self-Develpoment<\/td>1990<\/td>\n<\/tr>\n
176<\/td>Phil Jones<\/td>Drama as Therapy. Theatre as Living.<\/td>1996<\/td>\n<\/tr>\n
177<\/td>Nathanson Donald L.<\/td>SHAME AND PRIDE. Affect, Sex, And The Birth of The Self<\/td>1992<\/td>\n<\/tr>\n
178<\/td>Duric Zoran, Veljkovic Jasen, Tomic Miomir<\/td>Psychodrama<\/td>2003<\/td>\n<\/tr>\n
179<\/td>Cukier Rosa<\/td>Words from Jacob Levi Moreno<\/td>2007<\/td>\n<\/tr>\n
180<\/td>Blatner, M. D. Adam, Blatner Allee<\/td>The Art of Play<\/td>1988<\/td>\n<\/tr>\n
181<\/td>Spolin Viola<\/td>Improvisation fot the Theater<\/td>1963<\/td>\n<\/tr>\n
182<\/td>Landy Robert J.<\/td>Persona and Performance. The Meaning of Role in Drama, Therapy, and Everyday Life<\/td>1993<\/td>\n<\/tr>\n
183<\/td>Baim Clark, Brookes Sally, Mountford Alun<\/td>The Geese Theatre Handbook. Drama with Offenders and People at Risk.<\/td>2002<\/td>\n<\/tr>\n
184<\/td>Lowen Alexander<\/td>The Betrayal of The Body.<\/td>1974<\/td>\n<\/tr>\n
185<\/td>Lowen Alexander<\/td>The Language of The Body.<\/td>1975<\/td>\n<\/tr>\n
186<\/td>Hulter Birgitta<\/td>Sexual Function in Women with Neurological Disorders<\/td>1999<\/td>\n<\/tr>\n
187<\/td>Pines Dinora<\/td>A Woman's Unconscious Use of Her Body. A Psychoanalytical Perspective.<\/td>1993<\/td>\n<\/tr>\n
188<\/td>Rafaeli Eshkol, Bernstein David P., Young Jeffrey<\/td>Schema Therapy. Distinctive Features.<\/td>2011<\/td>\n<\/tr>\n
189<\/td>Satir Virginia<\/td>SELF-ESTEEM<\/td>1970, 1975<\/td>\n<\/tr>\n
190<\/td>von Franz Maria-Louise<\/td>Problems of The Feminine in Fairytales.<\/td>1972<\/td>\n<\/tr>\n
191<\/td>Goldenson Robert, Anderson Kenneth<\/td>The Wordsworth Dictionary of Sex<\/td>1987<\/td>\n<\/tr>\n
192<\/td>Fowler H. W.<\/td>A Dictionary of Modern English Usage<\/td>1994<\/td>\n<\/tr>\n
193<\/td>Scott Ian A.<\/td>The Luscher Colour Test<\/td>1987<\/td>\n<\/tr>\n
194<\/td>Chasseguet-Smirgel Janine<\/td>Creativity and Perversion<\/td>1984<\/td>\n<\/tr>\n
195<\/td>Shinoda Bolen Jean<\/td>Crones Dont't Whine. Concentrated Wisdom for Juicy Women.<\/td>2003<\/td>\n<\/tr>\n
196<\/td>Chasseguet-Smirgel Janine<\/td>Female Sexuality. New Psychoanalytic views.<\/td>1985<\/td>\n<\/tr>\n
197<\/td>Friday Nancy<\/td>Women on Top<\/td>1991<\/td>\n<\/tr>\n
198<\/td>Rutherford Leo<\/td>The Book of Gams & Warm Ups For Group Leaders<\/td>1994<\/td>\n<\/tr>\n
199<\/td>Jennings Sue<\/td>Remedial Drama<\/td>1978<\/td>\n<\/tr>\n
200<\/td>Boal Augusto<\/td>Games For Actors and Non-Actors<\/td>1992<\/td>\n<\/tr>\n
201<\/td>Beacon House \/ A Symposium<\/td>Group Psychotherapy<\/td>1945<\/td>\n<\/tr>\n
202<\/td>Blatner Adam, Wiener Daniel J.<\/td>Interactive and Improvisational Drama. Varieties of Applied Theatre and Performance<\/td>2007<\/td>\n<\/tr>\n
203<\/td>Edited by Horvation Toni, Schreiber Edward<\/td>The Quintessential Zerka. Writings by Zerka Toeman Moreno on Psychodrama, Sociometry and Group Psychotherapy<\/td>2006<\/td>\n<\/tr>\n
204<\/td>Vicki Noble<\/td>MotherPeace. A way to the Goddess through Myth, Art, and Tarot<\/td>1981<\/td>\n<\/tr>\n
205<\/td>Palmer R. L.<\/td>Anorexia Nervosa. A Guide for sufferers and their familes.<\/td>1980-1989<\/td>\n<\/tr>\n
206<\/td>Herman Judith Lewis<\/td>Father- Daughter incest.<\/td>1981<\/td>\n<\/tr>\n
207<\/td>Edited by Grau Julie, Lyons Debora, Weinberg Adam D.<\/td>Edward Hopper and the American Imagination and the American Imagination<\/td>1995<\/td>\n<\/tr>\n
208<\/td>Schmied Wieland<\/td>Edward Hopper. Portraits of America<\/td>1995<\/td>\n<\/tr>\n
209<\/td>Picon Gae\"tan<\/td>Surrealist and Surrealism<\/td>1983<\/td>\n<\/tr>\n
210<\/td>Watney Simon<\/td>Fantastic Painters<\/td>1985<\/td>\n<\/tr>\n
211<\/td>Turpin Ian<\/td>MAX ERNEST<\/td>1995<\/td>\n<\/tr>\n
212<\/td>Smilgys Hubertas<\/td>Sauliai<\/td>1998<\/td>\n<\/tr>\n
213<\/td>Meuris Jasques<\/td>Rene Magritte<\/td>1990<\/td>\n<\/tr>\n
214<\/td>Edited by Ernest Jones<\/td>Sigmund Freud, M.D., LL. D. Collected papers. Volume IV. Ninth impression.<\/td>1956<\/td>\n<\/tr>\n
215<\/td>Edited by Ernest Jones<\/td>Sigmund Freud, M.D., LL. D. Collected papers. Volume V. Fourth impression.<\/td>1956<\/td>\n<\/tr>\n
216<\/td>Edited by Ernest Jones<\/td>Sigmund Freud, M.D., LL. D. Collected papers. Volume II. Ninth impression.<\/td>1953<\/td>\n<\/tr>\n
217<\/td>Edited by Ernest Jones<\/td>Sigmund Freud, M.D., LL. D. Collected papers. Volume I. Ninth impression.<\/td>1956<\/td>\n<\/tr>\n
218<\/td>Watkins Mary<\/td>Waking Dreams. Third Edition.<\/td>1984<\/td>\n<\/tr>\n
219<\/td>Reich Peter<\/td>A Book of Dreams. A Memoir of Wilhelm Reich<\/td>1989<\/td>\n<\/tr>\n
220<\/td>Delaney Gayle<\/td>Sexual Dreams. Why We Have Them, What They Mean.<\/td>1994<\/td>\n<\/tr>\n
221<\/td>von Fanz Marie-Loiuse<\/td>On Dreams & Death. A Jungian Interpretation<\/td>1987<\/td>\n<\/tr>\n
222<\/td>Jung C. G.<\/td>DREAMS<\/td>1974<\/td>\n<\/tr>\n
223<\/td>McGoldrick Gerson, Randy Monica<\/td>GENOGRAMS in Family Assesment<\/td>1985<\/td>\n<\/tr>\n
224<\/td>MacKenzie Norma<\/td>Dreams & Dreaming<\/td>1965<\/td>\n<\/tr>\n
225<\/td>Shinoda Bolen Jean<\/td>Goddess in Every Woman. A New Psychology of Women.<\/td>1984<\/td>\n<\/tr>\n
226<\/td>Morgan Alice<\/td>What is narrative therapy? An easy-to-read introduction<\/td>2000<\/td>\n<\/tr>\n
227<\/td>Hinshelwood R. D.<\/td>A dictionary of Kleinian thought<\/td>1989<\/td>\n<\/tr>\n
228<\/td>Casement Patrick<\/td>Further learning from patient. The analytic space and process.<\/td>1990<\/td>\n<\/tr>\n
229<\/td>Hillman James<\/td>The Soul's Code in Search of Character And Calling<\/td>1996<\/td>\n<\/tr>\n
230<\/td>Hillman James, Ventura Michael<\/td>We've Had a Hundred Years of Psychotherapy - And the World's Getting Worse<\/td>1992<\/td>\n<\/tr>\n
231<\/td>Hillman James<\/td>The Force of Character And the Lasting Life<\/td>1999<\/td>\n<\/tr>\n
232<\/td>Waegscheider-Cruse Sharon, Higby Kathy, Klonz Ted, Rainey Ann<\/td>FAMILY RECONSTRUCTION. The Living Theater Model.<\/td>1994<\/td>\n<\/tr>\n
233<\/td>Friedrich Paul<\/td>The Meaning of Aphodite<\/td>1978<\/td>\n<\/tr>\n
234<\/td>Zoja Luigi<\/td>Drugs, Addiction & Initiation<\/td>1989<\/td>\n<\/tr>\n
235<\/td>Shinoda Bolen Jean<\/td>Goddess in Older Woman. Archetypes in Wmen Over Fifty.<\/td>2001<\/td>\n<\/tr>\n
236<\/td>Carotenuto Aldo<\/td>Eros And Pathos. Shade of Love and Suffering.<\/td>1989<\/td>\n<\/tr>\n
237<\/td>Adler Margot<\/td>Drawing down the moon. Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today<\/td>1979<\/td>\n<\/tr>\n
238<\/td>Lowen Alexander<\/td>Narcissism. Denial of the True Self<\/td>1985<\/td>\n<\/tr>\n
239<\/td>Qualls-Corbett Nancy<\/td>The Sacred Prostitute. Eternal Aspect of the Feminine<\/td>1988<\/td>\n<\/tr>\n
240<\/td>Kempler Walter<\/td>Principals of Gestalt Family Therapy<\/td>1973<\/td>\n<\/tr>\n
241<\/td>Lowen Alexander, Lowen Leslie<\/td>The Way to Vibrant Health. A Manual of Bioenergetic Excersises<\/td>1977<\/td>\n<\/tr>\n
242<\/td>Lowen Alexander<\/td>Love and Orgasm. A Revolutionary Guide to Sexual Fulfillment.<\/td>1965<\/td>\n<\/tr>\n
243<\/td>Kerenyi Karl<\/td>The Gods of Greek<\/td>1951<\/td>\n<\/tr>\n
244<\/td>Nietzche Friedrich<\/td>The Birth of Tragedy<\/td>1993<\/td>\n<\/tr>\n
245<\/td>Downing George<\/td>Massage & Meditation<\/td>1974<\/td>\n<\/tr>\n
246<\/td>Lowen Alexander<\/td>Depression and The Body<\/td>1972<\/td>\n<\/tr>\n
247<\/td>Reich Wilhelm<\/td>Lyssna, Lille Man!<\/td>1984<\/td>\n<\/tr>\n
248<\/td>Lowen Alexander<\/td>Bioenergetics<\/td>1975<\/td>\n<\/tr>\n
249<\/td>Downing George<\/td>The Massage Book<\/td>1972<\/td>\n<\/tr>\n
250<\/td>Vannoy Adams Michael<\/td>The Mythological Unconscious<\/td>2001<\/td>\n<\/tr>\n
251<\/td>Rogers Carl<\/td>Encounter Groups<\/td>1970<\/td>\n<\/tr>\n
252<\/td>Baker Miller Jean<\/td>toward a new psychology of women. Second Edition.<\/td>1987<\/td>\n<\/tr>\n
253<\/td>Matthews Boris<\/td>The Herder Symbol Dictionary<\/td>1986<\/td>\n<\/tr>\n
254<\/td>Schutzenberger Anne Ancelin<\/td>The Ancestors Syndrom. Transgenerational psychotherapy and the hidden links in the family tree<\/td>1998<\/td>\n<\/tr>\n
255<\/td>Pease Allan<\/td>Body Language. How to read others' thoughts by their gesture<\/td>1981<\/td>\n<\/tr>\n
256<\/td>Northrup Christiane<\/td>Women's Bodies, Women's Wisdom. Creating Physical and Emotional. Health and Healing.<\/td>1994<\/td>\n<\/tr>\n
257<\/td>Wurmser Leon<\/td>The Hidden Dimension. Psychodynamics in Compulsive Drug Use.<\/td>1978<\/td>\n<\/tr>\n
258<\/td>Baring Anne, Jules Cashford<\/td>The Myth of The Goddes. Evolution of an Image.<\/td>1991<\/td>\n<\/tr>\n
259<\/td>Haining Peter<\/td>Superstition<\/td>1979<\/td>\n<\/tr>\n
260<\/td>Neumann Erich<\/td>The Great Mother. An Analysis of the Archetype.<\/td>1963<\/td>\n<\/tr>\n
261<\/td>McLean Adam<\/td>The Triple Goddess. An xploration of the Archetypal Feminine<\/td>1989<\/td>\n<\/tr>\n
262<\/td>Shinoda Bolen Jean<\/td>Gods in Everyman. A New Psychology of Men's Lives & Loves<\/td>1989<\/td>\n<\/tr>\n
263<\/td>Krajowa Agencja Wydawnicza<\/td>Dawne Szafy<\/td>1981<\/td>\n<\/tr>\n
264<\/td>Schmidt Diether<\/td>Piero della Francessca<\/td>1979<\/td>\n<\/tr>\n
265<\/td>\u041a\u043e\u0440\u043e\u0442\u043a\u0435\u0432\u0438\u0447 \u0415\u043b\u0435\u043d\u0430<\/td>\u0411\u043e\u0440\u0438\u0441 \u0411\u0435\u0440\u0437\u0438\u043d\u044c<\/td>1973<\/td>\n<\/tr>\n
266<\/td>Kozakiewiczowa Helena<\/td>Renesans w Polsce Jan Maria Mosca zw. Padovano<\/td>1983<\/td>\n<\/tr>\n
267<\/td>Gaudibert Pierre<\/td>INGRES. The life and work of the artist illustrated with 80 colour plates.<\/td>1971<\/td>\n<\/tr>\n
268<\/td>Bovi Arturo<\/td>Brugel les petits classiques de l'art amg flammarion<\/td>1970<\/td>\n<\/tr>\n
269<\/td>Aurora art publishers Leningrad<\/td>Fantastic and Imaginative Works by Russian Artists<\/td>1989<\/td>\n<\/tr>\n
270<\/td>Tuulse Armin<\/td>Skandynawia Romanska<\/td>1970<\/td>\n<\/tr>\n
271<\/td>Izdevniec\u012bba: \u0410\u0440\u043a\u0430\u0434\u044b<\/td>\u0421\u043e\u0431\u0440\u0430\u043d\u0438\u044f \u0432\u0430\u0432\u0435\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u043e\u0433\u043e \u0437\u0430\u043c\u043a\u0430<\/td>1980<\/td>\n<\/tr>\n
272<\/td>-<\/td>Albrecht Durer<\/td>1977<\/td>\n<\/tr>\n
273<\/td>Troutman Philip<\/td>The Colour Library of Art El Greco. 49 Plates in Full Colour.<\/td>1963<\/td>\n<\/tr>\n
274<\/td>\u041b\u0430\u043f\u0442\u0435\u0432 \u0410\u043b\u0435\u043a\u0441\u0435\u0439<\/td>\u0420\u0438\u0441\u0443\u043d\u043e\u043a \u041f\u0435\u0440\u043e\u043c<\/td>1962<\/td>\n<\/tr>\n
275<\/td>Braun & Cie - Paris Tudor Publishing Co.<\/td>Paintings and drawings of Matisse<\/td>1948<\/td>\n<\/tr>\n
276<\/td>-<\/td>Meistercraphik Uniserer Zeit<\/td>Nav<\/td>\n<\/tr>\n
277<\/td>-<\/td>Die Beau-und Kunstdenkmale in der DDR<\/td>1979<\/td>\n<\/tr>\n
278<\/td>Weber Jurgen<\/td>Gestalt Bewwgung Farbe. Kritik der reinen Anschauung.<\/td>1984<\/td>\n<\/tr>\n
279<\/td>-<\/td>\u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0435 \u043f\u0440\u043e\u043c\u044b\u0441\u043b\u044b \u041f\u043e\u0434\u043c\u043e\u0441\u043a\u043e\u0432\u044c\u044f<\/td>1982<\/td>\n<\/tr>\n
280<\/td>Herold Erich<\/td>Ritualmasken Afrikas<\/td>1967<\/td>\n<\/tr>\n
281<\/td>Uroen OG Begjaeret<\/td>Surrealisme I Skandinavia 1930 -1950<\/td>2004<\/td>\n<\/tr>\n
282<\/td>Millere D\u017e\u016bdita<\/td>Ant\u012bk\u0101s Lietas Rokasgr\u0101mata<\/td>2001<\/td>\n<\/tr>\n
283<\/td>Scheidig Walther<\/td>Meisterwerke Der Malerei<\/td>1965<\/td>\n<\/tr>\n
284<\/td>\u0410\u0420\u0422\u0418\u042f<\/td>\u0412\u0410\u041d \u0413\u041e\u0413<\/td>1961<\/td>\n<\/tr>\n
285<\/td>Wel Der Kunst<\/td>Meisterzeichnungen Der Renaissance<\/td>1959<\/td>\n<\/tr>\n
286<\/td>\u0418\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \u0438\u0441\u0441\u043a\u0443\u0441\u0442\u0432\u043e<\/td>\u041f\u043e\u0440\u0442\u0440\u0435\u0442 \u0432 \u0437\u0430\u043f\u0430\u0434\u043d\u043e\u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u0438<\/td>1988<\/td>\n<\/tr>\n
287<\/td>\u0412\u0430\u043b\u043d\u0435\u0440\u0435 \u0420\u0438\u0442\u0430<\/td>\u041d\u0435\u043f\u0440\u0435\u0440\u044b\u0432\u043d\u043e\u0441\u0442\u044c<\/td>1984<\/td>\n<\/tr>\n
288<\/td>Beilija Elena<\/td>Es esmu br\u012bnumsieviete<\/td>2018<\/td>\n<\/tr>\n
289<\/td>Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja kolekcij\u0101 katalogs<\/td>Pastelis<\/td>2010<\/td>\n<\/tr>\n
290<\/td>Reich Wilhelm<\/td>Den Sexuelle Revolutionen<\/td>1971<\/td>\n<\/tr>\n
291<\/td>Nystrom Sonja, Stillstrom Christina Citron<\/td>Ka\u0308nna fo\u0308r andra - ka\u0308nna fo\u0308r mig : psykodramagrupp med unga kvinnor som i barndomen utsatts fo\u0308r sexuella o\u0308vergrepp av na\u030agon na\u0308rsta\u030aende<\/td>2006<\/td>\n<\/tr>\n
292<\/td>Besona \u017dakl\u012bna, Bro \u012avs<\/td>Psihoterap\u0113tisk\u0101s Attiec\u012bbas: Eksistence, identit\u0101te, v\u0113sture<\/td>-<\/td>\n<\/tr>\n
294<\/td>Lasmane S., Milts A., Rubenis A.<\/td>\u0112tika (jaut\u0101jumi, risin\u0101jumi, atzinumi)<\/td>1992<\/td>\n<\/tr>\n
297<\/td>Vorobjovs A.<\/td>Psiholo\u0123ijas pamati<\/td>1996<\/td>\n<\/tr>\n
298<\/td>Om\u0101rova Silva<\/td>Cilv\u0113ks run\u0101 ar cilv\u0113ku. Saskarsmes psiholo\u0123ija<\/td>1996<\/td>\n<\/tr>\n
299<\/td>P\u012bzs Alans<\/td>\u0136erme\u0146a Valoda. K\u0101 atmin\u0113t sarunu biedra domas p\u0113c vi\u0146a st\u0101jas un kust\u012bb\u0101m<\/td>1995<\/td>\n<\/tr>\n
300<\/td>Repule Iluta<\/td>Psihosomatika. Kad \u0137ermenis r\u0101da par ko dv\u0113sele raud<\/td>2021<\/td>\n<\/tr>\n
301<\/td>Zelmanis Voldem\u0101rs<\/td>Pedago\u0123ijas pamati<\/td>2000<\/td>\n<\/tr>\n
302<\/td>\u0160pona Ausma<\/td>Audzin\u0101\u0161anas process teorij\u0101 un praks\u0113. Otrais papildin\u0101ts izdevums<\/td>2006<\/td>\n<\/tr>\n
303<\/td>Vorobjovs Aleksejs<\/td>Soci\u0101l\u0101 psiholo\u0123ija. Teor\u0113tiskie pamati. Eksperiment\u0101ls m\u0101c\u012bbu l\u012bdzeklis<\/td>2002<\/td>\n<\/tr>\n
304<\/td>M\u016bks Roberts<\/td>Filozofija. Dv\u0113sele-tilts starp Rietumu un Austrumu reli\u0123ij\u0101m<\/td>2001<\/td>\n<\/tr>\n
305<\/td>P\u013cavniece Maija, \u0160ku\u0161kovnika Daina<\/td>Soci\u0101l\u0101 psiholo\u0123ija pedagogiem<\/td>2002<\/td>\n<\/tr>\n
306<\/td>Skalbe Karlis<\/td>1879-1979 Minnesskrift<\/td>1981<\/td>\n<\/tr>\n
307<\/td>Aivars J., Arsavskis V., Breslavs G., utt.<\/td>Psiholo\u0123ijas v\u0101rdn\u012bca<\/td>1999<\/td>\n<\/tr>\n
308<\/td>Pasparnis Visvaldis<\/td>Zieme\u013cu v\u0113ja, Dienvidu saule<\/td>2001<\/td>\n<\/tr>\n
309<\/td>Latvijas Profesion\u0101lo Psihologu Asoci\u0101cija \"Izgl\u012bt\u012bbas Latvijas Nakotnei\"<\/td>\u013bevs Vigotskis, \u017dans Pia\u017e\u0113 un M\u016bsdienu Psihologija.<\/td>1998<\/td>\n<\/tr>\n
310<\/td>G.Seclers-Berasini<\/td>Maierlinga<\/td>1993<\/td>\n<\/tr>\n
311<\/td>Dakteris Maris<\/td>Ar tevi ir viss k\u0101rt\u012bb\u0101,ja\u2026<\/td>1993<\/td>\n<\/tr>\n
312<\/td>Sastadija I.Hadanonoka<\/td>Ieskats Holistisko Terapiju formas<\/td>2003<\/td>\n<\/tr>\n
313<\/td>Avots<\/td>Laodzi sacer\u0113jums par Dao un De (Daodedzin)<\/td>2007<\/td>\n<\/tr>\n
314<\/td>Rubenis Juris, Subacs Maris<\/td>Domu te\u0101tris<\/td>2003<\/td>\n<\/tr>\n
315<\/td>Latviesu autoru milas<\/td>M\u012alas pilna sirds<\/td>2009<\/td>\n<\/tr>\n
316<\/td>Kulbergs Juhans<\/td>Dinamiska Psihiatrija<\/td>1984<\/td>\n<\/tr>\n
317<\/td>Brok\u0101ns Emilians<\/td>Anon\u012bmie alkoholi\u0137i<\/td>1998<\/td>\n<\/tr>\n
318<\/td>Fr\u012bda Linna<\/td>Piem\u0113rot\u0101 v\u012brie\u0161a l\u0101sts<\/td>2004<\/td>\n<\/tr>\n
319<\/td>Purvs Ziedonis<\/td>Neatgrie\u0161an\u0101s atg\u0101din\u0101jums. Dzejo\u013ci<\/td>1983<\/td>\n<\/tr>\n
320<\/td>R\u0101ja Vidy\u0101<\/td>Zin\u0101\u0161anu Valdnieks.<\/td>1991<\/td>\n<\/tr>\n
321<\/td>Redaktore D\u0101vidsone Dzintra<\/td>Rokasgr\u0101mata \u0123imen\u0113m-\u0161izofr\u0113nijas slimnieku apr\u016bp\u0113t\u0101jiem<\/td>2004<\/td>\n<\/tr>\n
322<\/td>Klavins Eduards<\/td>Simbolisms. Virzieni un stili<\/td>1994<\/td>\n<\/tr>\n
323<\/td>Graudina Ilze<\/td>B\u0113go\u0161ais krasts<\/td>2001<\/td>\n<\/tr>\n
324<\/td>Strunke Niklavs<\/td>Sveta Birze<\/td>1964<\/td>\n<\/tr>\n
325<\/td>Kulbergs J\u016bhans<\/td>Kr\u012bze un att\u012bst\u012bba<\/td>1998<\/td>\n<\/tr>\n
326<\/td>\u0420\u0435\u0434\u0430k\u0442\u043e\u0440 \u0420\u0430\u0439\u0433\u043e\u0440\u043e\u0434\u0441k\u0438\u0439.<\/td>\u0422\u0435\u043e\u0440\u0438\u0438 \u043b\u0438\u0447\u043d\u043e\u0441\u0442\u0438 \u0432 \u0437\u0430\u043f\u0430\u0434\u043d\u043e-\u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441k\u043e\u0439 \u0438 \u0430\u043c\u0435\u0440\u0438k\u0430\u043d\u0441k\u043e\u0439 \u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u0438<\/td>1996<\/td>\n<\/tr>\n
327<\/td>\u0420\u0435\u0434.\u041f.\u041f.\u0412\u043e\u043bk\u043e\u0432\u0430<\/td>\u0421\u0438\u0441\u0442\u0435\u043c\u043d\u044b\u0439 \u043f\u043e\u0434\u0445\u043e\u0434 \u0438 \u043f\u0441\u0438\u0445\u0438\u0430\u0442\u0440\u0438\u044f<\/td>1976<\/td>\n<\/tr>\n
328<\/td>\u0418.\u0421.k\u043e\u043d<\/td>\u0412\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0432 \u0441\u0435k\u0441\u043e\u043b\u043e\u0433\u0438\u044e<\/td>1988<\/td>\n<\/tr>\n
329<\/td>\u041d.\u041c.\u0416\u0430\u0440\u0438k\u043e\u0432,\u041b.\u0413.\u0423\u0440\u0441\u043e\u0432\u0430, \u0414.\u0424.\u0425\u0440\u0438\u0442\u0438\u043d\u0438\u043d<\/td>\u041f\u0441\u0438\u0445\u0438\u0430\u0442\u0440\u0438\u044f<\/td>1989<\/td>\n<\/tr>\n
330<\/td>k\u043e\u043d\u043d\u0438\u0440\u0430 \u0410\u043d\u0434\u0440\u0435\u0430\u0441,\u0421\u0442\u0438\u0432 \u0410\u043d\u0434\u0440\u0435\u0430\u0441<\/td>\u0418\u0437\u043c\u0435\u043d\u0438\u0442\u0435 \u0441\u0432\u043e\u0451 \u043c\u044b\u0448\u043b\u0435\u043d\u0438\u0435-\u0438 \u0432\u043e\u0441\u043f\u043e\u043b\u044c\u0437\u0443\u0439\u0442\u0435\u0441\u044c \u0440\u0435\u0437\u0443\u043b\u044c\u0442\u0430\u0442\u0430\u043c\u0438<\/td>1994<\/td>\n<\/tr>\n
331<\/td>\u041c\u043e\u0441k\u043e\u0432\u0441k\u0438\u0439 \u0442\u0435\u0440\u0430\u043f\u0435\u0432\u0442\u0438\u0447\u0435\u0441k\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b.<\/td>\u041c\u041f\u0416,\u0430\u043f\u0440\u0435\u043b\u044c- \u0438\u044e\u043d\u044c \u21162.<\/td>1993<\/td>\n<\/tr>\n
332<\/td>\u0411.\u0412.\u0417\u0435\u0439\u0433\u0430\u0440\u043d\u0438k<\/td>\u041f\u0430\u0442\u043e\u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u044f<\/td>1986<\/td>\n<\/tr>\n
333<\/td>\u0420\u0435\u0434.\u0421.\u0421.\u041b\u0438\u0431\u0438\u0445<\/td>\u0412\u043e\u043f\u0440\u043e\u0441\u044b \u043f\u0441\u0438\u0445\u043e\u0430\u043d\u0430\u043b\u0438\u0437\u0430.<\/td>1993<\/td>\n<\/tr>\n
334<\/td>\u041c\u0438\u0445\u0430\u0438\u043b \u0411\u0443\u044f\u043d\u043e\u0432<\/td>\u041b\u0435\u043d\u0438\u043d,\u0421\u0442\u0430\u043b\u0438\u043d \u0438 \u043f\u0441\u0438\u0445\u0438\u0430\u0442\u0440\u0438\u044f<\/td>1993<\/td>\n<\/tr>\n
335<\/td>\u0414\u0438\u043d\u043e\u0440\u0430 \u041f\u0430\u0439\u043d\u0437<\/td>\u0411\u0435\u0441\u0441\u043e\u0437\u043d\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u043d\u0438\u0435 \u0441\u0432\u043e\u0435\u0433\u043e \u0442\u0435\u043b\u0430 \u0436\u0435\u043d\u0449\u0438\u043d\u043e\u0439<\/td>1997<\/td>\n<\/tr>\n
336<\/td>k\u043e\u043d\u043d\u0438\u0440\u0430 \u0410\u043d\u0434\u0440\u0435\u0430\u0441, \u0421\u0442\u0438\u0432 \u0410\u043d\u0434\u0440\u0435\u0430\u0441<\/td>\u0421\u0435\u0440\u0434\u0446\u0435 \u043c\u043e\u0437\u0433\u0430.\u0422\u043e\u043c 2<\/td>1993<\/td>\n<\/tr>\n
337<\/td>\u0420. \u0414\u0438\u043b\u0442\u0441, \u0422. \u0425\u0430\u043b\u0431\u043e\u043c, \u0421.\u0421\u043c\u0438\u0442<\/td>\u0423\u0431\u0435\u0436\u0434\u0435\u043d\u0438\u044f. \u041f\u0443\u0442\u0438 k \u0437\u0434\u043e\u0440\u043e\u0432\u044c\u044e \u0438 \u0431\u043b\u0430\u0433\u043e\u043f\u043e\u043b\u0443\u0447\u0438\u044e.\u0422\u043e\u043c 1<\/td>1993<\/td>\n<\/tr>\n
338<\/td>\u041c.\u0415.\u041b\u0438\u0442\u0432\u0430k<\/td>\u042f: \u0410\u043b\u0433\u043e\u0440\u0438\u0442\u043c \u0443\u0434\u0430\u0447\u0438<\/td>1994<\/td>\n<\/tr>\n
339<\/td>\u0420\u0438\u0447\u0430\u0440\u0434 \u0411\u0430\u0445<\/td>\u041d\u0438\u0447\u0442\u043e \u043d\u0435 \u0441\u043b\u0443\u0447\u0430\u0439\u043d\u043e<\/td>1994<\/td>\n<\/tr>\n
340<\/td>\u0420\u0435\u0434.\u0415.\u0414.\u0425\u043e\u043c\u0441k\u0430\u044f<\/td>\u041d\u0435\u0439\u0440\u043e\u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u044f.\u0422\u0435k\u0441\u0442\u044b.<\/td>1984<\/td>\n<\/tr>\n
341<\/td>\u041b\u0435\u0441\u043b\u0438 k\u0435\u043c\u0435\u0440\u043e\u043d-\u0411\u0435\u043d\u0434\u043b\u0435\u0440<\/td>\u0421 \u0422\u0435\u0445 \u043f\u043e\u0440 \u043e\u043d\u0438 \u0436\u0438\u043b\u0438 \u0441\u0447\u0430\u0441\u0442\u043b\u0438\u0432\u043e.<\/td>1993<\/td>\n<\/tr>\n
342<\/td>\u0414.\u0413\u0440\u0438\u043d\u0434\u0435\u0440,\u0420.\u0411\u0435\u043d\u0434\u043b\u0435\u0440<\/td>\u0424\u043e\u0440\u043c\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435 \u0442\u0440\u0430\u043d\u0441\u0430.<\/td>1994<\/td>\n<\/tr>\n
343<\/td>k\u043e\u043d\u0441\u0442\u0430\u043d\u0446\u0438\u044f \u0410\u0440\u043e\u043d\u0441<\/td>\u0420\u0430\u0437\u0432\u043e\u0434: k\u0440\u0430\u0445 \u0438\u043b\u0438 \u043d\u043e\u0432\u0430\u044f \u0436\u0438\u0437\u043d\u044c?<\/td>1985<\/td>\n<\/tr>\n
344<\/td>\u0414\u0436.\u0425\u0435\u0439\u043b\u0438<\/td>\u041d\u0435\u043e\u0431\u044b\u0447\u0430\u0439\u043d\u0430\u044f \u043f\u0441\u0438\u0445\u043e\u0442\u0435\u0440\u0430\u043f\u0438\u044f.<\/td>1986<\/td>\n<\/tr>\n
345<\/td>\u0420\u0438\u0447\u0430\u0440\u0434 \u0411\u0435\u043d\u0434\u043b\u0435\u0440, \u0414\u0436\u043e\u043d \u0413\u0440\u0438\u043d\u0434\u0435\u0440<\/td>\u0421\u0442\u0440\u0443k\u0442\u0443\u0440\u0430 \u043c\u0430\u0433\u0438\u0438.\u0422.2<\/td>1993<\/td>\n<\/tr>\n
346<\/td>\u041c.\u0418.\u0411\u0443\u044f\u043d\u043e\u0432<\/td>\u0411\u0435\u0441\u0435\u0434\u044b \u043e \u0434\u0435\u0442\u0441k\u043e\u0439 \u043f\u0441\u0438\u0445\u0438\u0430\u0442\u0440\u0438\u0438.<\/td>1986<\/td>\n<\/tr>\n
347<\/td>\u0410.\u041c\u0438\u043d\u0434\u0435\u043b\u043b<\/td>\u041b\u0438\u0434\u0435\u0440 k\u0430k \u043c\u0430\u0441\u0442\u0435\u0440 \u0435\u0434\u0438\u043d\u043e\u0431\u043e\u0440\u0441\u0442\u0432\u0430. \u0447\u0430\u0441\u0442\u044c 1<\/td>1993<\/td>\n<\/tr>\n
348<\/td>\u0410.\u041c\u0438\u043d\u0434\u0435\u043b\u043b<\/td>\u0411\u0435\u0441\u0435\u0434\u044b \u043e \u0434\u0435\u0442\u0441k\u043e\u0439 \u043f\u0441\u0438\u0445\u0438\u0430\u0442\u0440\u0438\u0438. \u041b\u0438\u0434\u0435\u0440 k\u0430k \u043c\u0430\u0441\u0442\u0435\u0440 \u0435\u0434\u0438\u043d\u043e\u0431\u043e\u0440\u0441\u0442\u0432\u0430. \u0447\u0430\u0441\u0442\u044c 2<\/td>1993<\/td>\n<\/tr>\n
349<\/td>\u0418\u043e\u0433\u0430\u043d\u043d\u0435\u0441 k\u0435\u043c\u043f\u0435\u0440<\/td>\u041f\u0440\u0430k\u0442\u0438k\u0430 \u0441\u0435k\u0441\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u043f\u0441\u0438\u0445\u043e\u0442\u0435\u0440\u0430\u043f\u0438\u0438. \u0422\u043e\u043c 2<\/td>1994<\/td>\n<\/tr>\n
350<\/td>\u041b.\u0420\u043e\u043d \u0425\u0430\u0431\u0431\u0430\u0440\u0434<\/td>\u0414\u0438\u0430\u043d\u0435\u0442\u0438k\u0430.\u0421\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u044f \u043d\u0430\u0443k\u0430 \u0434\u0443\u0448\u0432\u043d\u043e\u0433\u043e \u0437\u0434\u043e\u0440\u043e\u0432\u044c\u044f<\/td>1993<\/td>\n<\/tr>\n
351<\/td>\u0420\u0438\u0447\u0430\u0440\u0434 \u0411\u0435\u043d\u0434\u043b\u0435\u0440, \u0414\u0436\u043e\u043d \u0413\u0440\u0438\u043d\u0434\u0435\u0440<\/td>\u0421\u0442\u0440\u0443k\u0442\u0443\u0440\u0430 \u043c\u0430\u0433\u0438\u0438.\u0422.1<\/td>1993<\/td>\n<\/tr>\n
352<\/td>\u0412.\u0412.\u041d\u0438k\u043e\u043b\u0430\u0435\u0432\u0430<\/td>\u0412\u043b\u0438\u044f\u043d\u0438\u0435 \u0445\u0440\u043e\u043d\u0438\u0447\u0435\u0441k\u043e\u0439 \u0431\u043e\u043b\u0435\u0437\u043d\u0438 \u043d\u0430 \u043f\u0441\u0438\u0445\u0438k\u0443<\/td>1987<\/td>\n<\/tr>\n
353<\/td>\u041f\u0430\u0442\u0440\u0438k k\u0435\u0439\u0441\u043c\u0435\u043d\u0442<\/td>\u041e\u0431\u0443\u0447\u0430\u044f\u0441\u044c \u0443 \u043f\u0430\u0446\u0438\u0435\u043d\u0442\u0430<\/td>1995<\/td>\n<\/tr>\n
354<\/td>\u0421\u0442\u0438\u0432\u0435\u043d \u0425\u0435\u043b\u043b\u0435\u0440 \u0438 \u0422\u0435\u0440\u0440\u0438 \u041b\u0438 \u0421\u0442\u0438\u043b<\/td>\u041c\u043e\u043d\u0441\u0442\u0440\u044b \u0438 \u0432\u043e\u043b\u0448\u0435\u0431\u043d\u044b\u0435 \u043f\u0430\u043b\u043e\u0447k\u0438<\/td>1994<\/td>\n<\/tr>\n
355<\/td>\u0414\u0436. \u0425\u0435\u0439\u043b\u0438<\/td>\u041d\u0435\u043e\u0431\u044b\u0447\u0430\u0439\u043d\u0430\u044f \u043f\u0441\u0438\u0445\u043e\u0442\u0435\u0440\u0430\u043f\u0438\u044f<\/td>1995<\/td>\n<\/tr>\n
356<\/td>\u0421\u0435\u0440\u0433\u0435\u0439 k\u043b\u044e\u0447\u043d\u0438k\u043e\u0432<\/td>\u041f\u0441\u0438\u0445\u043e\u044d\u043d\u0435\u0440\u0433\u0438\u0442\u0438\u0447\u0435\u0441k\u0430\u044f \u0437\u0430\u0449\u0438\u0442\u0430. \u0421\u043f\u0440\u0430\u0432\u043e\u0447\u043d\u0438k<\/td>1994<\/td>\n<\/tr>\n
357<\/td>\u0412\u0438\u043b\u043b \u041c\u0430k\u0434\u043e\u043d\u0430\u043b\u044c\u0434<\/td>\u0420\u0443k\u043e\u0432\u043e\u0434\u0441\u0442\u0432\u043e \u043f\u043e \u0441\u0443\u0431\u043c\u043e\u0434\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044f\u043c<\/td>1994<\/td>\n<\/tr>\n
358<\/td>\u0414\u0436\u0438\u043d\u0438 \u0413. \u0421k\u043e\u0442\u0442<\/td>\u0421\u0438\u043b\u0430 \u0443\u043c\u0430. \u0412\u044b\u043f\u0443\u0441k 1<\/td>1991<\/td>\n<\/tr>\n
359<\/td>\u0410. \u041c. \u0422\u044e\u0440\u0438\u043d, \u0412. \u0418. \u0412\u0430\u0441\u0435\u0447k\u0438\u043d<\/td>\u0422\u0435\u0445\u043d\u0438k\u0430 \u043c\u0430\u0441\u0441\u0430\u0436\u0430<\/td>1986<\/td>\n<\/tr>\n
360<\/td>\u0418\u043e\u0433\u0430\u043d\u043d\u0435\u0441 k\u0435\u043c\u043f\u0435\u0440<\/td>\u041f\u0440\u0430k\u0442\u0438k\u0430 \u0441\u0435k\u0441\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u043f\u0441\u0438\u0445\u043e\u0442\u0435\u0440\u0430\u043f\u0438\u0438. \u0422\u043e\u043c 1<\/td>1994<\/td>\n<\/tr>\n
361<\/td>\u0414\u0430\u0432\u0438\u0434 \u0413\u043e\u0440\u0434\u043e\u043d<\/td>\u0422\u0435\u0440\u0430\u043f\u0435\u0432\u0442\u0438\u0447\u0435\u0441k\u0438\u0435 \u043c\u0435\u0442\u0430\u0444\u043e\u0440\u044b<\/td>1995<\/td>\n<\/tr>\n
362<\/td>\u0421\u0435\u0440\u0433\u0435\u0439 \u041c\u044b\u0448\u043b\u044f\u0435\u0432<\/td>\u0413\u0438\u043f\u043d\u043e\u0437.\u041b\u0438\u0447\u043d\u043e\u0435 \u0432\u043b\u0438\u044f\u043d\u0438\u0435<\/td>1994<\/td>\n<\/tr>\n
363<\/td>\u0414-\u0440 \u0421\u0438\u043b\u044c\u0432\u0438\u043e \u0424\u0430\u043d\u0442\u0438<\/td>\u041c\u0438k\u0440\u043e\u043f\u0441\u0438\u0445\u043e\u0430\u043d\u0430\u043b\u0438\u0437<\/td>1995<\/td>\n<\/tr>\n
364<\/td>\u0420.k.\u0421\u0435\u0434\u044b\u0445<\/td>\u0418\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u044b\u0439 \u043f\u0441\u0438\u0445\u043e\u0430\u043d\u0430\u043b\u0438\u0437<\/td>1994<\/td>\n<\/tr>\n
365<\/td>\u0413.\u042f.\u0410\u0432\u0440\u0443\u0446k\u0438\u0439,\u0410.\u0410.\u041d\u0435\u0434\u0443\u0432\u0430<\/td>\u041b\u0435\u0447\u0435\u043d\u0438\u0435 \u043f\u0441\u0438\u0445\u0438\u0447\u0435\u0441k\u0438 \u0431\u043e\u043b\u044c\u043d\u044b\u0445.<\/td>1981<\/td>\n<\/tr>\n
366<\/td>\u0416\u0430\u043d \u041f\u0438\u0430\u0436\u0435<\/td>\u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441k\u0438\u0435 \u0442\u0440\u0443\u0434\u044b.<\/td>1994<\/td>\n<\/tr>\n
367<\/td>\u0413. \u041c. \u042d\u043d\u0442\u0438\u043d<\/td>\u041b\u0435\u0447\u0435\u043d\u0438\u0435 \u0430\u043bk\u043e\u0433\u043e\u043b\u0438\u0437\u043c\u0430<\/td>1990<\/td>\n<\/tr>\n
368<\/td>\u0411.\u0414.k\u0430\u0440\u0432\u0430\u0441\u0430\u0440\u0441k\u0438\u0439<\/td>\u041f\u0441\u0438\u0445\u043e\u0442\u0435\u0440\u0430\u043f\u0438\u044f<\/td>1985<\/td>\n<\/tr>\n
369<\/td>\u0412.\u0422.k\u043e\u043d\u0434\u0440\u0430\u0448\u0435\u043dk\u043e, \u0414.\u0418.\u0414\u043e\u043d\u0441k\u043e\u0439<\/td>\u041e\u0431\u0449\u0430\u044f \u043f\u0441\u0438\u0445\u043e\u0442\u0435\u0440\u0430\u043f\u0438\u044f<\/td>1993<\/td>\n<\/tr>\n
370<\/td>\u041c\u043e\u0441k\u043e\u0432\u0441k\u0438\u0439 \u0442\u0435\u0440\u0430\u043f\u0435\u0432\u0442\u0438\u0447\u0435\u0441k\u0438\u0439 \u0436\u0443\u0440\u043d\u0430\u043b.<\/td>\u041c\u041f\u0416, \u0438\u044e\u043b\u044c-\u0441\u0435\u043d\u0442\u044f\u0431\u0440\u044c, \u21163<\/td>1993<\/td>\n<\/tr>\n
371<\/td>\u0420\u0438\u0447\u0430\u0440\u0434 \u0411\u0435\u043d\u0434\u043b\u0435\u0440<\/td>\u041c\u0430\u0433\u0438\u044f \u0432 \u0434\u0435\u0439\u0441\u0442\u0432\u0438\u0438<\/td>1995<\/td>\n<\/tr>\n
372<\/td>\u041c\u0438\u0445\u0430\u0438\u043b \u0411\u0443\u044f\u043d\u043e\u0432<\/td>\u041c\u0435\u0436\u0434\u0443 \u0411\u043e\u0433\u043e\u043c \u0438 \u0434\u044c\u044f\u0432\u043e\u043b\u043e\u043c<\/td>1993<\/td>\n<\/tr>\n
373<\/td>\u041c\u0438\u0445\u0430\u0438\u043b \u0411\u0443\u044f\u043d\u043e\u0432<\/td>\u041f\u0440\u0435\u0437\u0438\u0434\u0438\u0443\u043c<\/td>1992<\/td>\n<\/tr>\n
374<\/td>\u041c\u0438\u0445\u0430\u0438\u043b \u0411\u0443\u044f\u043d\u043e\u0432<\/td>\u0414\u0435\u043b\u043e \u0411\u0435\u0439\u043b\u0438\u0441\u0430<\/td>1993<\/td>\n<\/tr>\n
375<\/td>\u0412.\u0418.\u0413\u0430\u0440\u0431\u0443\u0437\u043e\u0432<\/td>\u041f\u0440\u0430k\u0442\u0438\u0447\u0435\u0441k\u0430\u044f \u043f\u0441\u0438\u0445\u043e\u0442\u0435\u0440\u0430\u043f\u0438\u044f<\/td>1994<\/td>\n<\/tr>\n
376<\/td>\u0415\u0432\u0433\u0435\u043d\u0438\u0439 \u0413\u0435\u043dk\u0438\u043d<\/td>\u0417\u0430\u0433\u043b\u044f\u043d\u0438 \u0432 \u0441\u0432\u043e\u0451 \u042f<\/td>1991<\/td>\n<\/tr>\n
377<\/td>\u0412\u0435\u0440\u0430 \u0414\u0430\u043d\u0438\u043b\u043e\u0432\u0430<\/td>K\u0430k \u0441\u0442\u0430\u0442\u044c \u0441\u043e\u0431\u043e\u0439.<\/td>1994<\/td>\n<\/tr>\n
378<\/td>\u0411\u0443\u0437\u0438\u043d \u0412. \u041d.<\/td>\u041a\u0440\u0430\u0442\u043a\u0438\u0439 \u043e\u0442\u0431\u043e\u0440\u043e\u0447\u043d\u044b\u0439 \u0442\u0435\u0441\u0442<\/td>1992<\/td>\n<\/tr>\n
379<\/td>\u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433 \"O\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u0435\"<\/td>\u0418\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435 \u043c\u043e\u0442\u0438\u0432\u0430\u0446\u0438\u0438 \u0434\u043e\u0441\u0442\u0438\u0436\u0435\u043d\u0438\u044f<\/td>1993<\/td>\n<\/tr>\n
380<\/td>\u0411\u0435\u043b\u0438\u043d\u0441\u043a\u0430\u044f \u0415\u043b\u0435\u043d\u0430 \u0412.<\/td>\u0414\u0438\u0430\u0433\u043d\u043e\u0441\u0442\u0438\u043a\u0430 \u0438 \u043f\u0440\u043e\u0444\u0438\u043b\u0430\u043a\u0442\u0438\u043a\u0430 \u044d\u043c\u043e\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0432\u044b\u0433\u043e\u0440\u0430\u043d\u0438\u044f \u043f\u0435\u0434\u0430\u0433\u043e\u0433\u043e\u0432 \u0434\u043e\u0448\u043a\u043e\u043b\u044c\u043d\u044b\u0445 \u0443\u0447\u0440\u0435\u0436\u0434\u0435\u043d\u0438\u0439<\/td>2011<\/td>\n<\/tr>\n
381<\/td>\u041f\u0430\u043d\u0442\u0438\u043b\u0435\u0435\u0432 \u0421. \u0420.<\/td>\u041c\u0435\u0442\u043e\u0434\u0438\u043a\u0430 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u044f \u0441\u0430\u043c\u043e\u043e\u0442\u043d\u043e\u0448\u0435\u043d\u0438\u044f<\/td>1993<\/td>\n<\/tr>\n
382<\/td>Mcneely Deldon Anne<\/td>Touching. Body Therapy and Depth Psychology<\/td>1987<\/td>\n<\/tr>\n
383<\/td>Volkers Joahims<\/td>Narkom\u0101nija. Psiholo\u0123ija, Terapija<\/td>1999<\/td>\n<\/tr>\n
384<\/td>Goulmens Daniels<\/td>Tava emocion\u0101l\u0101 inteli\u0123ence<\/td>2001<\/td>\n<\/tr>\n
385<\/td>Sudraba Velga, M\u0101rtinsone Krist\u012bne<\/td>Grupu psiholo\u0123isk\u0101 konsult\u0113\u0161ana un psihoterapija<\/td>2018<\/td>\n<\/tr>\n
386<\/td>Lapi\u0146a Kristi\u0101na<\/td>Psihosomatisk\u0101s sakar\u012bbas un m\u016bsdienu cilv\u0113ks<\/td>2006<\/td>\n<\/tr>\n
387<\/td>Rudz\u012btis Viesturs<\/td>Pilni pagrabi partiz\u0101nu<\/td>2014<\/td>\n<\/tr>\n
388<\/td>Neumen Erich<\/td>Depth Psychology and A New Ethic<\/td>1990<\/td>\n<\/tr>\n
389<\/td>Tverskis \u0100brahams D\u017e.<\/td>Atkar\u012bgo dom\u0101\u0161ana<\/td>2014<\/td>\n<\/tr>\n
390<\/td>Marlin Emily<\/td>Genograms. The New Tool for Exploring the Personality, Career, and Love Patterns You Inherit<\/td>1989<\/td>\n<\/tr>\n
391<\/td>Selje H.<\/td>Mana m\u016b\u017ea stress<\/td>1983<\/td>\n<\/tr>\n
392<\/td>\u0425\u043e\u043b\u043c\u0441 \u041f\u043e\u043b, \u041a\u0430\u0440 \u041c\u0430\u0440\u0448 \/ Holmes Paul, Karp Marcia<\/td>\u041f\u0441\u0438\u0445\u043e\u0434\u0440\u0430\u043c\u0430: \u0432\u0434\u043e\u0445\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0438 \u0442\u0435\u0445\u043d\u0438\u043a\u0430<\/td>1997<\/td>\n<\/tr>\n
393<\/td>-<\/td>Transference<\/td>-<\/td>\n<\/tr>\n
394<\/td>-<\/td>Par sociometriju - Preludes of the Sociometric Movement<\/td>-<\/td>\n<\/tr>\n
395<\/td>-<\/td>Nordic Board of Examiners in Psychodrama, Sociometry & Group Psychotherapy, History Regulations Statutes<\/td>2003<\/td>\n<\/tr>\n
396<\/td>-<\/td>V\u012brie\u0161u - sievie\u0161u k\u0101rtas kop\u012bg\u0101 terapija<\/td>-<\/td>\n<\/tr>\n
397<\/td>-<\/td>Psychodrama Institute West Coast Reference Material\/ Volume 3, No. 6<\/td>-<\/td>\n<\/tr>\n
398<\/td>-<\/td>Psychodrama: The State of Art by Adam Blatner \/ Psychodramatic Methods in Family Therapy - Chapter 18 by Adam Blatner\/ Role Dynamics: A Coperhensive Theory of Psychology by Adam Blatner \/ Chapter 18 - The Psychological Therapies: Psychodrama by Dale Richard Buchan \/ Chapter 7 - Boundaries or chaos: psychodrama with adolscents by Paul Holmes \/ Chapter 18 - Psychodrama by Zerka T. Moreno \/ Using Psychodrama Tehniques in structural family therapy by Louis A. Perrot \/ Object Relations in the Psychodramatic Group by Andrew Powell<\/td>1997 \/ 1994<\/td>\n<\/tr>\n
399<\/td>Bassi Jerri<\/td>The Rebel the Refuge and the Creative Genius. A Psychodrama View of Adolescence<\/td>1997<\/td>\n<\/tr>\n
400<\/td>Blomkcist Dag Leif<\/td>Dramatis Persone: Acting Out in Psychodrama<\/td>1989<\/td>\n<\/tr>\n
401<\/td>Dahl-Spencer Nina, Erdmanis Inara<\/td>How to Develope and Run an Introductory Professional Auxilairy-Ego Training Program<\/td>-<\/td>\n<\/tr>\n
402<\/td>Danielsson Clare<\/td>The Intimate Community Experience: An Experiment in Social Reorganization Based Upon Sociometry and Christian Traditions<\/td>1979<\/td>\n<\/tr>\n
403<\/td>Guntrip Harry<\/td>Psychoanalitic Theory, Therapy, and the Self<\/td>1971\/1973<\/td>\n<\/tr>\n
404<\/td>Hale Ann E.<\/td>Conducting Clinical Sociometric Explorations: A Manual for Psychodramatists and Sociometrists<\/td>1981<\/td>\n<\/tr>\n
405<\/td>Hale Ann E.<\/td>Chapter III \/ The Sociometric Test<\/td>1981<\/td>\n<\/tr>\n
406<\/td>Haskell Martin R.<\/td>Psychodrama Institute West Coast Reference Material\/ Volume 2, No. 6 - The Psychodramatic Method<\/td>1967<\/td>\n<\/tr>\n
407<\/td>International Playback Theatre Network<\/td>Interplay Volume XI, number 3<\/td>2001<\/td>\n<\/tr>\n
408<\/td>International Playback Theatre Network<\/td>Interplay Volume XI, number 2<\/td>2000<\/td>\n<\/tr>\n
409<\/td>Kellermann Peter Felix<\/td>Focus on Psychodrama: The Therapeutic Aspects of Psychodrama<\/td>1992<\/td>\n<\/tr>\n
410<\/td>Korn Richard R.<\/td>The Self as Agenda and the Self as Object. Synopsis of a Theory<\/td>1975<\/td>\n<\/tr>\n
411<\/td>Linden Elisabet<\/td>From Cosmos to Catharsis. Psychodrama and Archaic Religion<\/td>1997<\/td>\n<\/tr>\n
412<\/td>Modell Arnold H.<\/td>Other Times, Other Realities<\/td>1990<\/td>\n<\/tr>\n
413<\/td>Modell Arnold H.<\/td>The Private Self<\/td>1993<\/td>\n<\/tr>\n
414<\/td>Moreno J. L., Moreno Z. T.<\/td>Psychodrama: Second Volume<\/td>1975<\/td>\n<\/tr>\n
415<\/td>Moreno J.L., Moreno Z., Moreno J.<\/td>The First Psychodramatic Family<\/td>1964<\/td>\n<\/tr>\n
416<\/td>Neis-Schellen Christel<\/td>Psychodrama als Hilfe bei der Bewa:ltigung von Trauer<\/td>-<\/td>\n<\/tr>\n
417<\/td>Palkavnieks Agris<\/td>Kr\u012bze: Psihodramatisk\u0101 pieeja<\/td>-<\/td>\n<\/tr>\n
418<\/td>Rudz\u012btis Viesturs<\/td>Atmi\u0146as par psihodr\u0101mu<\/td>2019<\/td>\n<\/tr>\n
419<\/td>Salas Jo<\/td>What is \"Good\" Playback Theatre?<\/td>1997<\/td>\n<\/tr>\n
420<\/td>Schutzenberger Anne Ancelin<\/td>\u0421\u044a\u0438\u043d\u0434\u0440\u043e\u043c \u043f\u0440\u0435\u0434\u043a\u043e\u0432<\/td>2001<\/td>\n<\/tr>\n
421<\/td>Sjo:berg Lena<\/td>An Encounter<\/td>1992<\/td>\n<\/tr>\n
422<\/td>Sveriges Psykologfo:rbund<\/td>Stadgar. Antagna vid Sveriges Psykologfo:rbunds ordinarie kongress den 11-13 maj<\/td>2001<\/td>\n<\/tr>\n
423<\/td>Treadwell Marc<\/td>Puer Aeternus<\/td>1986<\/td>\n<\/tr>\n
424<\/td>Treadwell Marc<\/td>The Sociometric Tests -<\/td><\/td>\n<\/tr>\n
425<\/td>Tredwell Thomas W., Stein Steven, Kumar V. K.<\/td>A Survey of Psychodrama Action and Closure Tehniques<\/td>-<\/td>\n<\/tr>\n
426<\/td>Warner Douglas G.<\/td>Psychodrama Training Tips<\/td>1945<\/td>\n<\/tr>\n
427<\/td>Zarakovska Rov\u0113na, Palkavnieks Agris<\/td>137 iesild\u012b\u0161an\u0101s vingrin\u0101jumi grup\u0101m<\/td>2004<\/td>\n<\/tr>\n
428<\/td>Zarakovska Rov\u0113na, Palkavnieks Agris<\/td>Mytholagy of the Stars<\/td>-<\/td>\n<\/tr>\n
429<\/td>Jones Diana<\/td>Sociometry in Team and Organisational Development<\/td>2001<\/td>\n<\/tr>\n
430<\/td>Ludvig Von Bertalanffy<\/td>The Meaning of General System Theory<\/td>1971<\/td>\n<\/tr>\n
431<\/td>Ludvig Von Bertalanffy<\/td>General System Theory in Psychology and Psychiatry<\/td>1971<\/td>\n<\/tr>\n
432<\/td>Clayton Lynette<\/td>System Theory<\/td>1984<\/td>\n<\/tr>\n
433<\/td>Rockwell Taylor<\/td>The Social Construction of Careers: Career Development and Career Counseling Viewed from a Sociometric Perspective<\/td>1987<\/td>\n<\/tr>\n
434<\/td> Lucas Randall H., Kuhnert Karl W. <\/td>Using Sociometry to Predict Team Performance in the Work Place<\/td>1996<\/td>\n<\/tr>\n
435<\/td>Kellerman Peter Felix<\/td>Sociodrama<\/td>1998<\/td>\n<\/tr>\n
436<\/td> Hoffman Chris C., Wilcox Lola, Gomez Eileen Hollander Carl<\/td>Sociometric Application in a Corporate Environment<\/td>1992<\/td>\n<\/tr>\n
437<\/td>Clayton Max<\/td>Training Professional Persons in the Use of Sociometry<\/td>1999<\/td>\n<\/tr>\n
438<\/td>McKimmie Peter<\/td>Building a Student Support System Using Sociometry<\/td>1999<\/td>\n<\/tr>\n
439<\/td>Zaleznik Abraham<\/td>What Makes A Leader<\/td>1989<\/td>\n<\/tr>\n
440<\/td>Krackhardt David, Hanson Jeffrey R.<\/td>Informal Networks: The Company<\/td>1993<\/td>\n<\/tr>\n
441<\/td>Koha Marianne<\/td>\u0136erme\u0146a pr\u0101ts<\/td>2003<\/td>\n<\/tr>\n
442<\/td>Si\u0146e\u013c\u0146ikovs Val\u0113rijs<\/td>Izproti savu slim\u012bbu<\/td>2003<\/td>\n<\/tr>\n
443<\/td>\u0428\u0443\u0442\u0446\u0435\u043d\u0431\u0435\u0440\u0433\u0435\u0440 \u0410\u043d\u043d \u0410\u043d\u0441\u0435\u043b\u0438\u043d<\/td>\u0421\u0438\u043d\u0434\u0440\u043e\u043c \u043f\u0440\u0435\u0434\u043a\u043e\u0432<\/td>2001<\/td>\n<\/tr>\n
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